Musica e parole

Yesterday’s lunchtime recital at Walter Hall was a collaboration between the Faculty of Music and the Department of Italian studies and explored the links between the source texts for various Italian operas and arias drawn from them.  So each aria was paired with a reading (by Paolo Frascà and Sara Galli) plus an introduction on the literary context by Sara Maida-Nicol who curated the program.  It was an interesting idea that turned out to be rather enjoyable.  Plus, none of the singers had appeared in Tuesday’s show so it was a chance to take a look at a less familiar bunch.

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Giulio Cesare

trinity_collegechapelLast night’s concert by the UoT Fall Baroque Academy was more Sesto in a Sauna then Giulio Cesare in Egitto.  The music was all from Handel’s arguably greatest opera but the great man himself went unrepresented.  Various mezzos and sopranos plus a counter tenor got through pretty much all of Sesto’s arias, Cleo’s big three arias were all presented and there was a smattering of Cornelia, Tolomeo and one aria from Achilla,the only low voice on display.  The venue was Trinity College Chapel, notably not only for lack of air conditioning (on the hottest day of the year) but also for an acoustic that is kind to instrumental ensembles but tends to suck voices up into the high vaulted roof.  Some singers coped better than others.

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