A Tancredi for our times?

Rossini’s early opera seria Tancredi is set in Syracuse in the early 11th century and turns on two rival families coming together in the face a threat from both Byzantines and Saracens.  The hero is the knight Tancredi, secretly in love with the daughter of one of rival families.  Jan Philipp Gloger’s production filmed at Bregenz in 2024 updates it to the present with the families being rival drug gangs and the “threat” the police.  There’s a further twist.  Tancredi is a mezzo role and always sung by a woman.  Here Tancredi is played as a woman pretending to be a man; at least to everyone except her lover Amenaide.

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Orphée as love triangle

Gluck’s Orpheus opera; in either Italian or French guise, is usually presented as a short and cheery “love conquers all” with an uncomplicated happy ending.  Pierre Audi in his production of the 1774 Paris version of Orphée et Euridice, recorded at the Maggio Musicale Fiorentino in 2022 takes a different tack.  Here Amour, who is on stage 100% of the time, forms a love triangle with Orphée and Euridice and while she’s happy to work to reunite the lovers Orphée gets in a snit in the last act when he realises that her interest isn’t entirely altruistic and comes close to violence when the two girls show more interest in each other than in him!

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Jurowski and Tcherniakov do War and Peace

How does one do (if one does at all) a propagandistic Russian opera in the wake of the invasion of Ukraine.  Dmitri Tcherniakov and Vladimir Jurowski’s approach to Prokofiev’s War and Peace, filmed at Bayerische Staatsoper, is radical, complex and controversial.  See my full (and ridiculously long) review at La Scena Musicale.

Having your cake…

Rossini’s Adina was written in 18i8; two years after Barber of Seville, but wasn’t premiered until 1826 in Lisbon, after which it pretty much disappeared.  It’s a bit difficult to see why it fell out of favour, unless it’s because at 90 minutes or so it was considered too short, because it’s a pretty classic Rossini comedy with a silly but amusing plot and enjoyably frothy music.

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Greyscale Macbeth

Christof Loy’s production of Verdi’s Macbeth filmed at the Liceu in Barcelona in 2016 is grey, very grey.  Costumes and lighting are such that one might think one is watching a black and white film.  The first, brief, touch of colour; some lights and bunches of flowers appears at the beginning of Act 4.  Beyond the greyness the vibe is essentially late 19th century and it’s pretty sparse.  It’s also very dark; at times almost unwatchably so on video (even Blu-ray).

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Il Bajazet

Vivaldi’s pasticcio Il Bajazet was composed for carnival season 1635.  It sets an earlier libretto by Agostino Piovene concerning the defeat and capture of the Ottoman sultan Bajazet (Bayezid I) by the Tartar leader Tamerlano (Timur) in 1403.  Tamerlano is contracted to marry the Princess of Trebizond, Irene, but falls for Bajazet’s daughter Asteria to the consternation of his Greek ally Andronico who is in love with Asteria.  Various plot twists and turns happen before Bajazet poisons himself, Tamerlano marries Irene after all and Asteria returns to Andronico.  Andronico also has a sidekick Idaspe.

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Minimalist Onegin

Laurent Pelly’s production of Tchaikovsky’s Eugene Onegin was recorded for video at La Monnaie – De Munt in 2023.  It’s a severely minimalist production set somewhere, around 1900 or so.  I say somewhere because there’s nothing very Russian about it.  It could be any country gentry and peasants scenario followed by a society ball.  There are no uniforms in sight.  Even Gremin wears ordinary evening clothes, albeit with orders and medals.

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An operatic triptych

Resphigi’s 1931 work Maria Egiziaca was originally conceived as a concert work but very early on it became more common to perform it fully staged.  That’s how it’s presented in a production earlier this year from Venice’s Teatro La Fenice though it actually took place in the smaller Teatro Maliban.  It’s quite a short work; a little over an hour, and as the composer’s description of it as a “symphonic triptych” suggests it takes place in three scenes.

1.boat

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