Bellini’s Norma is a tale of illicit love between two Gaulish priestesses (can women be called druids?) and a Roman tribune. In this 2006 production for the Bayerische Staatsoper director Jürgen Rose has set the piece in the present day in a vaguely Middle Eastern setting. Within that framework the story is told quite straightforwardly and there’s no attempt to project some kind of agenda. The designs are very striking. Blue figures a lot. Norma’s home is an underground bunker. When the Gauls arm for war they put on ski masks and supplement their spears with assault rifles. It all looks really good. The acting is also excellent and we get some real intensity in the Norma/Pollione/Adalgisa love triangle and in the tension between Norma and her father Oroveso. It works as drama.
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Joan Sutherland in Toronto
It’s a pet peeve of mine that, alone among state funded TV broadcasters in the industrialised world, CBC doesn’t broadcast opera on TV. There are many other reasons why the CBC is a national embarrassment but this one rankles. That said, there have been a couple of CBC broadcasts over the years and they did make it to DVD. These include a 1981 Canadian Opera Company performance of Bellini’s Norma with Joan Sutherland. It’s a great big pile of steaming whale dreck. The production, by Lotfi Mansouri, looks more like it was done in 1881. The Gauls have helmets with horns on. Sutherland seems to be dressed as the Statue of Liberty and the tenor playing Pollione (Francisco Ortiz) looks like Stephen Fry as the Roman centurion in Black Adder Back and Forth. Add to that it’s pretty much park and bark as far as blocking goes.
Sutherland is on poor form. She has no lower register to speak of and she gets about as much drama out of the music as a doorpost. Whether her powers were in serious decline at this point or she was just having an off night I can’t tell but it’s pretty sad. Ortiz is dreadful. He’s often below the note and seems to be using every trick in the tenor playbook to approximate his music. Bonynge’s conducting is deadly dull. The only part of the music making worthy of note is Tatiana Troyanos as Adalgisa. She’s very good indeed.
Technically the DVD is at least as bad as the performance. It’s recorded in mono (mono, in 1981!) and the sound is muddy and badly balanced. At some points the chorus is completely inaudible. Of course, some of this maybe the lousy O’Keefe Centre acoustics but I think it’s mostly just bad engineering. The picture is very poor quality too. There are hard coded English subtitles. This is one to avoid.
“Thanks” to Lydia at Definitely the Opera for drawing this to my attention!
