UoT Opera in the RBA

On Wednesday it was UoT Opera’s turn in the RBA.  Pretty much the whole graduate programme appeared in a series of duets, trios and larger ensemble numbers staged by Mabel Wonnacott.  The theme was “love” (well it had to be that or “death”.. this is opera). It was a French and German programme so there was fairly mainstream stuff like the Antonia/Hoffmann duet from Les contes d’Hoffmann and “Hab mir’s gelobt” from Der Rosenkavalier but also rarer material like “Doute de la lumière” from Thomas’ Hamlet.

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13 Plays About ADHD… All At The Same Time

13 Plays About ADHD… All At The Same Time by Alec Toller (mostly) is a show that is currently running at the tiny Assembly Theatre in the heart of Little Tibet so if you get bored there are momos a’plenty to be had.  Unsurprisingly the show is about ADHD.  Hosts Sharjil Rasool and Danny Pagett (who predictably arrives late) attempt to take us through a seminar about ADHD, how to diagnose yourself how to recover from it (if you have it).

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Sing to Me Again

Apocryphonia has been around for three years or so but Sunday evening at Heliconian Hall was the first time I managed to catch one of their concerts.  I like that they don’t do mainstream repertory, rather seeking out much less well known works, and Sunday was no exception.  It was actually a collaboration with Syrinx Concerts and the show was in two parts.  The first part featured baritone John Holland and tenor Alexander Cappellazzo with pianist Ivan Estey Jovanovic performing 20th century songs mostly from Eastern Europe and the Caucasus while the second featured works from the same area arranged for oboe (Caitlin Broms-Jacob) and piano (Madeline Hildebrand).  I say “mostly” because each half included a piece by Toronto’s Srul Irving Glick.

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Reminiscencia

Reminiscencia is a performance piece created during lockdown by Chilean playwright Malicho Vaca Valenzuela.  Valanzuela is the sole live performer and from his desk on stage he taskes us through series of scenes and themes using AV material on his laptop projected onto a giant screen.  It’s ultimately about memory.  How we create a footprint in history and how that does and doesn’t endure.  His examples are all taken from his home town of Santiago de Chile.

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A Fidelio in two halves

I have long been of the opinion that Beethoven’s Fidelio is structurally flawed.  The first and second acts are so different intone and dramatic intensity that it never seems quite to hang together.  Tobias Kratzer obviously shares this view but being smarter than me finds a way to leverage it.  For his production at the Royal Opera House in 2020 he takes the two acts and effectively makes the second a commentary on the first.  It’s worth quoting his own words:

Like no other opera, Beethoven’s Fidelio falls into two unequal halves.  Act I is a historical melodrama on freedom and love in the post-Revolutionary era.  Act II is a political essay on the responsibility of the individual in the face of the silent majority, a musical plea for active empathy.

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Rebanks fellows in the RBA

Luxury!  Two operatic concerts on consecutive lunchtimes in the RBA.  On Thursday it was the turn of the Glenn Gould School’s Rebanks fellows with mentor Paul Groves to present a series of staged opera excerpts directed by Anna Theodosakis.  Stéphane Mayer provided the excellent piano accompaniment throughout.

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Ajdad – Ancestors

Ajdad - AncestorsAjdad – Ancestors (Echoes of Persia) is a new CD from the Amir Amiri Ensemble.  I had a chance to hear them play at Alliance Française on Friday night as well as listening to the CD which provided some extra perspective.  It’s always interesting to watch musicians.  Most of the music on the CD is composed by Amir Amiri with a couple of arrangements of other composers’ work.  Amiri’s roots are in the classical Persian tradition but he goes well beyond that with quite strong Arabic influence as well as Turkish, Kurdish and Western classical elements.  In a sense it’s a nod to what was once a more integrated musical culture that to some extent has been fractured by the political divisions of the last 100 years or so.  Continue reading