A few more happenings in June

EG-300x201June is still a bit quiet but I have had word of a few more performances around the city.  On the 13th Lindsay Promane, Daevyd Pepper and pianist Natasha Fransblow; all seen recently at either Metro Youth Opera or various UoT events, have a recital at Islington United Church.  Featured composers include Ravel, Tosti and Saint-Saens.  It’s at 7.30pm and it’s Pay What You Can.

On the 17th and 18th at 8pm Array Music are presenting How it Storms.  It’s an opera for gamelan ensemble by Allen Cole.  The singers will be Salzburg and Zürich bound Claire de Sévigné, Danielle MacMillan (where’s she been this year?), Chris Mayell and Keith O’Brien. This one is at The Array Space, 155 Walnut Ave and admission is $15.00.

Then on the 21st there’s a concert performance of Le Nozze di Figaro at St Simon-The-Apostle Anglican Church.  It’s at 7pm and it’s Pay What You Can.

Finally, you can catch the broadcast of the Royal Opera’s recent production of Weill’s Mahagonny at the Bloor Hot Docs on the 28th at noon.

It’s that time of year

atg_dandd_webposter_revisedIt’s that time of year when the musical calendar kind of grinds almost to a halt in Toronto.  Looking ahead to June there’s not a whole lot on offer, at least in the opera/choral/artsong departments.  The big event is Against the Grain’s Death and Desire show, of which I saw the first half previewed in the RBA.  It’s on at the Neubacher Shor Gallery (Queen and Dufferin) on June 2nd to 5th at 8pm.  Tickets are going fast so if you plan to go, head here soon. There’s a Mahler 2nd (Resurrection) Symphony at the TSO on June 10th (8pm) and 12th(7.30pm).  Erin Wall, Susan Platts and the Toronto Mendelssohn Choir will join the orchestra with Peter Oudjian conducting. Then it’s Luminato.  The big deal for opera fans here is R. Murray Schafer’s Apocalypsis.  David Fallis will direct what sounds like a Cecil B. DeMille scale extravaganza.  It’s at the Sony Centre on June 26th and 27th (8pm) and the 28th (2pm).  At your own risk…

M’dea Undone

M’dea Undone; music by John Harris , libretto by Marjorie Chan, opened in the Holcim Gallery at the Evergreen Brickworks last night in a production by Tim Albery.  My review, still a WIP, will appear in Opera Canada in due course though it has triggered some more general thoughts about “new opera” that I might explore here.  It’s worth seeing just to experience the unconventional performance space.  There are three more performances tonight, tomorrow and Friday.  Here’s a photograph.

m'dea

Lauren Segal as M’dea. Photo by Dahlia Katz.

One for pedalophiles

Following on the indie opera theme, Bicycle Opera Project have announced details of their 2015 season.  Things kick off with a preview concert at 10pm at Mazzoleni Hall on May 21st as part of the 21C festival.  It will feature works from this summer’s tour program Shadow Box and the singers will be Alexander Dobson and Graham Thomson along with regulars Stephanie Tritchiew and Larissa Koniuk.  Featured works will include The Blind Woman by James Rolfe and David Yee; The Yellow Wallpaper by Cecilia Livingston and Nicolas Billon; (What rhymes with) Azimuth? by Ivan Barbotin and Liza Balkan; “The Dreaming Duet” from The Bells of Baddeck (world premiere) by Dean Burry and Lorna MacDonald; and, what else?, Bianchi: A five-minute bicycle opera by Tobin Stokes.  They will also be premiering a new commission; Ride of the Bicycle Bells by Christopher Thornborrow.  This mashes together the operatic overture with a special bike-y twist – it’s scored for 11 bicycle bells and one bike horn!

BOP groupwoods_s Continue reading

Building the audience for indie opera

Building_Blog_AudienceOpera America recently awarded a series of grants to opera companies for audience development.  Most of these grants went to mainstream opera companies; usually “the big guy in town”.  $35000 though went to Toronto’s Tapestry Opera.  Yesterday I met with artistic director Michael Mori to find out what it was all about.

Continue reading

Sad news

Clarice Carson as Violetta 001 - thumbCanadian soprano Clarice Carson died on the weekend aged 85.  In her career she sang a range of roles ranging from Mozart to Wagner including Tosca on Radio-Canada televeision with Louis Quilico as Scarpia (and we’ll never see that again).  She sang in many major houses including The Metropolitan Opera, San Francisco and Venice’s La Fenice.

Ms. Carson was an active member of the Board of the International Resource Centre for Performing Artists, for which she often gave wardrobe consultations to young artists, mentored singers and acted as consultant for their careers. Clarice donated her musical scores and recordings to the IRCPA reference library planned to open in her name in the fall of 2017.  Canadian Donations for this library can be made directly to the IRCPA website at Canada Helps: www.ircpa.net.

Toronto Operetta Theatre announces 2015/16 season

Bon-Voyage-closeupOnce again Toronto Operetta Theatre will stage three shows with a typical mix of an English language piece, a classic European work and a zarzuela.  First up is Bernstein’s Candide which will run October 23rd to 25th.  The holiday show will be Romberg’s The Student Prince with five performances from December 27th to January 3rd.  The final offering will be Jacinto Guerrero’s Los Gavilanes with four performances from April 27th to May 1st.  All shows wil be at the St. Lawrence Centre for the Arts.  No details on casting yet.

New developments from CASP

The Canadian Art Song project has announced plans for the 2015/16 season.  As well as the annual “Celebration of Canadian Art Song” concert will be held on May 5, 2016 at 12 noon as part of the Free Concert Series in the Richard Bradshaw Amphitheatre thereare  going to be two ticketed recitals; the first at the Extension Room on November 7th, 2015 and the second at the Enoch Turner Schoolhouse on February 5th, 2016.

Continue reading

Saints and sinners

There are a couple of rather unusual shows coming up on the weekend of May 22nd to 24th.

anna-gates-distilleryA new group, The Friends of Gravity, are putting on Weill’s Die Sieben Todsünde ~ The Seven Deadly Sins.  Projected photography and film stand in for the original production’s ballet. Silent film-style title cards will translate the German text and illuminate the dramatic back-story. Stephanie Conn sings the role of Anna I on stage and acts as Anna II in the pre-taped footage.  The other singers include Christopher Wattam, Charles Fowler, David Roth and James Levesque.  A seven piece band will play Scott Gabriel’s arrangement of the score.  It’s on on May 22nd and 23rd at 8pm at St. Bartholomew’s Anglican Church, 509 Dundas Street East.  Tickets are $25 ($15 for students) and are available at https://www.universe.com/7sins or http://thefriendsofgravity.org

At more or less the same time The Toronto Consort are putting on a fully staged version in English translation of the 13th century Latin work The Play of Daniel.  David Fallis directs the Consort medieval players with a cast that includes Kevin Skelton in the title role, Olivier Laquerre as King Belshazzar, Derek Kwan as King Darius, Michele DeBoer as the Queen, and John Pepper as Habakkuk.  This one runs at Trinity St. Paul’s on the 22nd and 23rd at 8pm and the 24th at 3.30pm.  Tickets and info at torontoconsort.org.

Toronto Summer Music and more

For those of you who won’t be glued to the underwater cycling at the Pan-Am games there is actually music on in Toronto over the summer.  The tenth Toronto Summer Music Festival features a wide range of events in many genres.  The ones likely to be of most interest to AR readers follow.

Continue reading