The story of Salome and John the Baptist may be the most twisted tale in the Western canon. Oscar Wilde’s take on the story, with music by Richard Strauss added, didn’t make it any less twisted. Nor did Atom Egoyan’s production of the opera for the COC and its several remounts. How, one might ask, could one ramp the twistedness up a notch? The answer, and a very successful one, is to have Egoyan make a film based around his production. And so, Seven Veils, which had its avant-premier, ahead of TIFF, at the Four Seasons Centre last night.
Ambur Braid as Salome (top left), Michael Kupfer-Radecky as Jochanaan (below), and Frédéric Antoun as Narraboth (top right) in the Canadian Opera Company’s production of Salome, 2023. Photo: Michael Cooper
So one of the fun things about this writing project that I started twelve years ago is the unexpected ways that it has sometimes developed. One gets involved with projects, one meets people and one ends up connected with their other projects that may stray some way from, say, opera or art song. So last night I found myself at a film screening and CD release party for the new CD from Hilario Durán and His Latin Jazz Big Band. It was fascinating. First of all I really liked the music; original compositions and covers arranged for something like eighteen brass, woodwind, guitar/bass and percussion players with Hilario conducting from the piano and guests on some of the tracks including the amazing clarinet and sax player Paquito D’Rivera, vocalist/violinist Elizabeth Rodriguez, drummer Horacio “ElNegro” Hernández and bass player Marc Rogers.
This new CD recording of Purcell’s Dido and Aeneas sets out to produce a version that might have been heard at court in the early 1680s. This is, of course, one of several theories about the work’s genesis and it’s the one I find most credible. Taking this as a starting point allows music director David Bates a framework in which to consider issues of style and casting.
Infinite Voyage is billed as the final album from the Emerson Quartet capping a long and illustrious career. It’s also a collaboration with Barbara Hannigan so it’s perhaps not surprising that it includes music by Berg, Schoenberg and Hindemith though Chausson’s Chanson perpétuelle belongs to a rather different style.
The new season starts to ramp up in September. My month will start at Factory Theatre on the 7th with Mary Beath Badian’s The Waltz; a coming of age drama set in Saskatchewan. That runs until the 17th. The following night there’s a screening at the Four Seasons Centre of Atom Egoyan’s new film Seven Veils that was created in conjunction with last season’s production of Salome. A young woman is tasked with remounting her former mentor’s production of Salome. It stars Amanda Seyfried, Ambur Braid, Michael Schade and Michael Kupfer-Radecky. It’s a chance to see the film ahead of the official premier at TIFF. More details and tickets 
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