Thursday night at the Jane Mallett Theatre Soundstreams and Music Toronto presented a concert featuring the Gryphon Trio (Annalee Patipatanakoon – violin, Roman Borys – cello, Jamie Parker – piano) and others. Also two world premières.
First up was the première of Vivian Fung’s Prayer; a short piece for violin (Lara St.John) and piano. It’s a rather beautiful short piece with a melismatic beginning that gets more dramatic and then morphs to a kind of searching quality. It was followed by Amy Beach’s Invocation for violin and piano, Op. 55 of 1904. It’s a competent, melodic piece in the Romantic tradition. Pleasant enough. Continue reading
Tuesday’s RBA concert with members of the Ensemble Studio was themed around composer rivalries though not the really toxic ones. No Mozart/Salieri or Wagner/Meyerbeer here! The most convincing as a rivalry was the first; Berlioz vs Rossini. So Queen Hezumuryango sang “Le spectre de la rose” with some sensitive handling of the text and a pretty fiery “Cruda sorte” from L’Italiana in Algeri with plenty of emotion. I definitely like her voice more when she’s going for drama as she’s got plenty of power and expressiveness.
The second programme in this year’s West End Micro Music Festival had its first performance at Redeemer Lutheran on Friday night. It was a mix of contemporary instrumental and vocal works with some unusual Hildegard von Bingen and some interesting lighting (Billy Wong) and staging.
Here’s what’s coming down for the holiday season, as best I know:
operaramblings 