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About operaramblings

Toronto based lover of opera, art song, related music and all forms of theatre.

What’s on in October

rusalka-1-1I can’t believe an October preview post already.  But here it is.  So what’s on?  Against the Grain’s Opera Pub kicks off again on the 5th at the Amsterdam Bicycle Club.  It’s the usual 9pm start but come really early if you want a table.  The 10th to the 12th sees Amplified Opera’s series of three shows at the Ernest Balmer Studio.  The 11th is the first Toronto date for Against the Grain’s La Bohème tour.  That’s 7.30pm at the Tranzac.  Other dates and other city information here.  The 12th is opening night for Dvořák’s Rusalka at the COC.  Full details on dates, cast, tickets etc here.  On the 19th UoT’s Early Music programme are doing Handel’s Acis and Galatea at the Heliconian Club at 2pm.

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Hannigan at UoT 2019 edition

There was a two part session with Barbara Hannigan at UoT yesterday.  The first part consisted of an open rehearsal/masterclass for the Contemporary Ensemble conducted by Wallace Halladay with Maeve Palmer as soloist of Ligeti’s Mysteries of the Macabre.  The piece is a mash up of three areas for the character Gepopo from the opera Le Grand Macabre.  The basic premise is that Gepopo, the head of the secret police, is trying to warn her boss that the Earth is about to be hit by a comet.  Unfortunately Gepopo has spent so long in the underworld of spooks and spies that she’s utterly paranoid and can only speak in broken fragments and secret codes.  It’s weird and surreal and often funny in a disturbing way.  It’s a piece very much associated with Hannigan who has sung it many times and worked on it with the composer. 

mysteries

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Here we go again

Yesterday, as has become customary, the 11th season of free concerts in the Richard Bradshaw Amphitheatre began with a concert given by the COC Ensemble Studio.  It’s always interesting as there are always new members; some of whom I will be familiar with from UoT or the Conservatory and some not.  It’s also a “level setter” to see how much progress people make during the year because there are usually one or two singers who still seem to be finding their way into their voice.  I really didn’t see any of that yesterday.  I think what I saw and heard was the strongest line up I’ve seen yet with no obvious weak links.

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Hannigan and Storgårds

The TSO’s opening concert of the season at Roy Thomson Hall was quite boldly conceived.  Basically hand the evening over to the powerhouse duo of soprano/conductor Barbara Hannigan and violinist/conductor John Storgårds and see what they come up with.  It was an excitingly eclectic programme which produced some great performances but a sadly disappointing turn out.

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Barbara Hannigan in conversation

Barbara-Hannigan-07750-photocredit-MarcoBorggreveLast evening I attended a session with Barbara Hannigan under the auspices of the IRCPA.  The format was an interview with William Littler followed by audience Q & A.  In many ways it was typical Hannigan.  She came across as smart, incredibly driven, analytical and with quite a wicked sense of humour.  This I have seen before and there wasn’t much about her work methods that added to the information in I’m a Creative Animal.

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Mysterious Barricades

lighthouseMysterious Barricades is a coast to coast series of concerts live streamed throughout the day in aid of Suicide Awareness and Prevention.  I don’t know if there is anyone who has not been affected by someone taking their own life or has been close to it themselves.  I do know that if such a person exists it’s not me.  So attending a concert such as yesterday’s is hard and certainly not conducive to thinking in the way necessary to write a review.  Let’s just say that the programme curated by Monica Whicher was appropriate; from the land acknowledgement by Don McLean that reminded us that suicide amongst Indigenous People is an even bigger problem than in the settler community to the finale chorale.  Comforting too to think that I had friends taking part as far away as Halifax and Kelowna.  But, for all that, a tough day at the office.

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News round up

Various bits and pieces from the in basket:

The dynamic duo of Teija Kasahara and Aria Umezawa have a new project; Amplified Opera.  They are kicking off with a series of three concerts called Amplify! and it takes place Ocober 10th to 12th at the Ernest Balmer Studio.  The theme is diversity and equity.

  •  October 10th, 2019: The Way I See It – American mezzo-soprano and author Laurie Rubin (Do You Dream in Color: Insights from a Girl Without Sight), and pianist Liz Upchurch will speak to their unique experiences as individuals with blindness and vision loss navigating the world of opera, and how this element of their identity has informed their creative process. The concert will be directed by Aria Umezawa. As you can imagine this particularly resonates with me.
  • October 11th, 2019: The Queen in Me – An exploration of the ways in which the classical music world tries to control and limit queerness, gender expressions, and identities. This one-person show features soprano Teiya Kasahara as the Queen of the Night who, after 228 years, has finally decided to reclaim their narrative and challenge the patriarchy. The show is accompanied by Trevor Chartrand, and directed by Andrea Donaldson.
  • October 12th, 2019: What’s Known to Me is Endless – A look at the African diaspora, and how experiences of Black identity differ in Canada and the United States. African American baritone Kenneth Overton is joined by Canadian pianist Rich Coburn to speak to how their understanding of Black identity was challenged while working on both sides of the Canadian-US border. Canadian American, Michael Mohammed, will direct the show.

Tickets are $25 for each show at the door or from the website.

amplified

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Brett Dean’s Hamlet on DVD

I reviewed Brett Dean’s Hamlet when it was first broadcast from Glyndebourne on the BBC in 2017.  Somehow I managed to miss the subsequent DVD/Blu-ray release but I’ve now been able to get hold of the DVD and can provide some further insights. As far as the work itself, the production, the performance and the video direction I don’t have anything much to add to my original review.

1ghost

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Looking ahead to September

September starts the slow ramp up to the new season.  The first thing in my calendar is Mysterious Barricades on September 14th from 1pm to 2pm in Walter Hall.  This is a series of coast to coast, dawn to dusk concerts in aid of Suicide Awareness.  Russell Braun, Monica Whicher and Nathalie Paulin are all involved.  It’s free but ticketed.  Check the link for details.

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Beatrice Cenci

Beatrice Cenci is an opera by Berthold Goldschmidt; a composer who moved from Germany to London in the 1930s for the usual reason.  Beatrice Cenci was written in 1950 but the orchestral style sounds rather earlier.  Comparisons with Mahler have been made though I don’t really see that.  Richard Strauss or Korngold perhaps?  In any event the work didn’t get performed at all until the 1980s and had to wait until the 2018 Bregenz Festival for its first fully staged production directed by Johannes Erat.  Curiously, though originally composed with an English libretto it was given in German in Bregenz.

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