I don’t think I’ve been as frustrated by a video recording of an opera since I watched the 2007 recording of Unsuk Chin’s Alice in Wonderland. This time the culprit is a recording of the 2024 production of Prokofiev’s The Gambler at the Salzburg Festival. It’s a Peter Sellars production set in the Felsenreitschule and it’s fascinating on many levels. The problem is that, as is wont, Sellars directs the video too and he seems to think people watch opera videos on their phones. There’s been a welcome trend since the advent of HD cameras to, generally, show as much of the stage action as possible and ration extreme close ups. Sellars takes the opposite approach and it drives me nuts. Not only do I feel that I’m missing a lot; especially in the cavernous Felsenreitschule, but I just don’t need to know how fast Asmik Gregorian is moving her tongue when she’s going for fast vibrato.
operaramblings 