Three Worlds

threeworldsIn some ways listening to ballet music without the visuals is even weirder than listening to opera without them but at least it’s easier to rearrange and abridge ballet music for concert purposes.  That’s the case with Max Richter’s Three Worlds: Music from Woolf Works which is his condensation of Woolf Works which he wrote for Wayne McGregor and the Royal Ballet.  As the name suggests it’s inspired by the works of Virginia Woolf and has three movements based on three of the novels; Mrs. Dalloway, Orlando and The Waves.

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Artificial and cruel Così

In 1988 Jean-Pierre Ponnelle made the last of his lip synched opera films; Mozart’s Così fan tutte.  It carries Ponnelle’s trademark “artificialityeven further than in other of his films that I have seen.  The sets, the costumes, the acting and the camera work never let us forget that this is a work of the, in the director’s words, “greatest artificiality”.  It also becomes increasingly clear as the piece progresses that Ponnelle has a very clear idea of what “the opera is about”.  Continue reading