It Could Still Happen’s The Herald opened at Buddies in Bad Times last night. It’s a really difficult work to pigeonhole. It’s a poetic exploration of “labour” through words and music using Ancient Greece as a sort of vehicle for discussing more contemporary, or perhaps, universal concerns. It starts with playwright and director Jill Connell making a speech in front of a projection of the “principles for work” which could perhaps be summarised as “labour should be a temple of awareness” but along the way we get a lot of astrology; night charts and day charts and Antonio Banderas and whether his fashion line includes capes.
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Butterfly by the book
The production of Puccini’s Madama Butterfly recorded at Covent Garden earlier this year is a remount of the 2003 production by Moshe Leiser and Patrice Caurier directed this time by Daisy Evans. It’s about as conventional as a Butterfly production can be. There’s the odd bit of visual interest like a shedding cherry tree in the finale but mostly it’s standard operatic Japanese bar, perhaps, the cut and colour of Pinkerton’s suit in Act 3.

Ruckus at the Revival
The second Ruckus at the Revival from Opera Revue was subtitled “The Parody Edition” and with the odd exception that’s what it was.; Music by Mozart, Sullivan, Delibes and more supported witty lyrics about Opera Revue’s perennial bêtes noires. Doug Ford (and all his little Satanic demons), the TTC, the housing crisis, Toronto drivers and the rest got exactly what they deserved to the audience’s approval and delight. Most of the words and a good deal of the singing here from Opera Revue stalwarts Danie Friesen and Alex Hajek.
