Lehár’s Das Land des Lächelns must have seemed old fashioned even when it opened in 1929 in a Berlin that had already seen Wozzeck and Die Dreigroschenoper. With its waltzes and gentle chinoiserie it looks back rather than forward musically and makes few demands on its listeners. Similarly, the plot; a bittersweet romance between an Austrian aristocrat and a Chinese prince had nothing in it to disturb contemporaries though modern audiences might find the cultural appropriation a bit hard to take. However, if Turandot doesn’t bother you this likely won’t either.
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La tragédie de Carmen
La tragédie de Carmen is a stripped down version of Bizet’s opera originally created by Peter Brook some thirty years ago. It dispenses with the chorus and most of the minor characters to focus in on the central drama of Carmen, Micaëla, Don José and Escamillo with some support from Zuniga and Lillas Pastia. In Loose TEA Theatre’s version the action is transferred to New York in the 1920s and given a night club/mob setting which stretches the libretto but allows the rather striking Cassandra Warner to appear in some quite stunning outfits.
The piece is very condensed. It runs maybe 80 minutes. Presented in a small space like Buddies in bad times it becomes almost unbearably intense, especially when presented by fine actors as it was here. Central to the whole thing is Warner’s stunning Carmen. She is very good looking in a rather angular 1920s sort of way. She can act and she has a really good voice. The tone is genuine mezzo but she seems quite comfortable well up into soprano territory. The overall effect was extremely sexy.
Another transladaptation
There’s another indie opera company in town; Loose Tea Music Theatre. They are going to be putting on a crowd source funded transladaptation of Carmen called La tragédie de Carmen at Buddies in Bad Times on September the 6th, 7th and 8th. Details of the show are here and the crowd source funding page is here. This is no amateur effort. It’s directed by Alaina Viau who has worked at the ROH. The title role will be sung by Cassandra Warner, last seen in Opera Atelier’s Magic Flute, and the Don José is Ryan Harper, previously a Rodolfo for Against the Grain’s Tranzac La Bohème.
This was brought to my attention by Lisa Faieta who has a new blog, Soprano vs. the World. Check it out!
