Friday night I went to see Teiya Kasahara and Stephanie Yelovich’s recital at First Unitarian. Unusually for a voice and piano (Mark-Anthony Del Brocco) recital it was essentially all bel canto; a mix of Bellini and Verdi songs with some Donizetti opera excerpts (plus a duet from Norma as an encore). It would be unusual programming for almost anyone and I was frankly a bit surprised because I don’t think of either singer as a bel canto specialist and, Teiya’s Lucia aside, a bel canto singer at all really.
I know that the event was a fundraiser to help pay for their summer in Italy studying mainly this rep and I guess, wherever one is headed as a singer, being able to sing bel canto well is an asset. So maybe, to use a rugby analogy, it wasn’t so surprising that this felt a bit more like the training field than a competitive game; especially when the duets were both mezzo/soprano pieces being sung by two sopranos.
Both these young ladies have big voices. Teiya in particular has real power, as well as coloratura chops, so perhaps she’s on the way to being that rare voice that can sing Norma and the Tudor queens. Who knows? Stephanie’s future probably lies north of the Alps though and it’s potentially a bright one. I’ve seen these two ladies separately and together in contemporary works and they were really, really good. Bel canto‘s not my sweet spot so maybe that’s part of the problem but I’m really not convinced it’s theirs either.
Last night we saw the last performance of the current COC run of La Traviata, this time with the alternate cast. Joyce El-Khoury, Andrew Haji and James Westman came in for Ekaterina Siurina, Charles Castronovo and Quinn Kelsey. We were also sitting in Ring 3 rather than lower down which gave a rather different perspective; perhaps not showing off the clever lighting for the intimate scenes quite as well but much more effective, by giving greater depth, for the party scenes.
operaramblings 