Schmaltz and Pepper

Schmaltz and Pepper is a comparatively newly formed band (November 2023) but it contains quite a few familiar faces; Rebekah Wolkstein (vocals, violin) and Drew Jurecka (vocals and assorted instruments) from Payadora, Eric Abramowitz (clarinet) from the TSO plus multitalented Jeremy Ledbetter (piano) and Michael Herring (double bass).  Between them they have backgrounds in classical, klezmer, tango, calypso, Yiddish swing, jazz and much more.  The focus of the new band appears to be klezmer and Yiddish swing but since most of their material is original there are lots of influences.

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Breathings

Monday night’s Toronto Summer Music concert in Walter Hall was a cross-cultural exploration of Nature, Heartbeat and Breathing.  It featured an instrumental ensemble of Persian and Western instruments and two Indigenous vocalist/drummers; one Mi’kmaq, one Inuit.

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The Tortured Poets Department

alexhWednesday evening’s Shuffle Hour concert at Toronto Summer Music was given by mezzo Alex Hetherington and pianist Vlad Soloviev in Heliconian Hall and carried the curious moniker The Tortured Poets Department. It kicked off with the letter aria from Massenet’s Werther and let’s face it if anyone deserves torturing it’s some combination of Werther himself and Goethe for inventing him (and possibly Massenet for prolonging the life of a character who might otherwise have fallen into obscurity).  Whatever, Alex gave a fine, impassioned reading of the aria which set the stage well for what was to follow. Continue reading

Connolly and Middleton

This year’s art song mentors for Toronto Summer Music; Dame Sarah Connolly and Joseph Middleton, gave the traditional recital in Walter Hall on Tuesday evening.  Those who braved flooded streets and spotty TTC service enjoyed a treat.  It was a carefully curated and beautifully performed collection of songs.

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Dreams, Death and the Maiden

Monday night in Walter Hall Toronto Summer Music continued with a concert by the new Orford Quartet (Jonathan Crow and Andrew Wan – violins, Sharon Wei – viola, Brian Manker – cello).  I was there primarily to hear the première of Ian Cusson’s Dreams which was bookended on the programme by “Death and the Maiden” themed quartets in D minor by Mozart and Schubert.

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Premarital sextet

The string sextet is an unusual combination of instruments and there aren’t that many works for it.  But one, Schoenberg’s Verklärte Nacht, Op. 4, has almost cult status and is performed fairly often.  It does though need a companion to make up a concert programme.  On Friday night at Toronto Summer Music in Walter Hall the chosen accompanying piece was Brahms’ Sextet No.2 in G Major, Op. 36.

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Streetwise Fairy Queen delights

William Christie and Les Arts Florissants kicked off Toronto Summer Music on Thursday evening at Koerner Hall with a version of Purcell’s The Fairy Queen which is currently on a sort of world tour.  This production, conceived by Christie and Paul Agnew is quite radical.  Let’s look at what they have done.

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Festival season

july2024When I look at my calendar for July it’s all about two festivals, both of which include far more events than I could possibly cope with.

The first is the Toronto Fringe which runs July 2nd to 14th and features 77 shows in 16 venues.  There really is something for everyone from clowns and comics to mass murderers and funeral directors.  There’s even a musical.  Most shows are $18 but that drops to $14 if one buys a ten ticket pass.  I think I’ll be able to get to maybe half a dozen shows given an overlap with… Continue reading

Toronto Summer Music 2024

This year’s Toronto Summer Music festival is titled Voices Within and includes the expected eclectic mix of vocal and chamber music with a few surprises.  There’s also the Academy Program, the Shuffle concerts, Community Choir and so on.  Last night the main stage line up was officially announced.  It’s quite exciting.

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It’s a wrap

Saturday evening in Walter Hall saw the conclusion of this year’s Toronto Summer Music with a concert that showcased different parts of the festival programme.  There was the community element.  The Community Choir, with their professional section leads and conductor Jamie Hillman produced very competent versions of Mozart’s Veni Sancte Spiritus and Lydia Adam;s arrangement of the rankin Family’s We Rise Again.  The omnicompetent and omnipresent Rachael Kerr accompanied on piano.

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