The Met’s Prince Igor

Earlier this year the Metropolitan opera staged Borodin’s Prince Igor for the first time in nearly a hundred years with an HD broadcast and a DVD/Blu-ray release to boot.  It’s an odd work.  It’s quite long; a prologue and three acts running over three hours and it’s very episodic.  The prologue takes place in Ptivl; the principality of which I gor is prince.  He’s about to lead his army against the invading Polovtsians.  There are dark omens.  The next thing we see, as Act 1 opens, is that Igor is defeated and a captive of Khan Konchak who’s daughter is now in love with Igor’s son.  It’s all just happened.  Cue lots of exotic Polovtsiania.  In Act 2 we are back in Ptivl where Galitsky is making trouble for his sister, Igor’s wife, who has been left as Regent.  Mostly the trouble seems to be drunken partying and when the Polovtsian army arrives at the gates the brother, Galitsky, drops dead.  In Act 3 the city has been sacked and everybody is kind of mooning around in the rubble until a pretty depressed Igor shows up and implores the other Russian princes to get off their arses and do something (unspecified).  All the important stuff happens off stage and there really isn’t any resolution.  There is some great music though.

1.troops Continue reading

On to Toronto

tcherniakovThe Tcherniakov Don Giovanni that I just finished watching on Blu-ray is a Canadian Opera Company co-production so, sooner or later, it should end up in Toronto.  That will be interesting.  There’s a very conservative streak in the Toronto audience and, especially, among the critics for the major newspapers.  These are people who are disturbed by Robert Carsen and go apopleptic over Chris Alden.  It will be most interesting to see what the reaction is to something like Tcherniakov’s interpretation, even though it’s not that radical by European standards.

Continue reading

‘Tis the season to speculate

Finley-Gerald-02With a month or so to go before the Canadian Opera Company officially announces its 2013/14 season it’s surely time for some uninformed speculation.

There are three big anniversaries in 2013; the bicentenaries of Verdi and Wagner and the centenary of Benjamin Britten.  One would think all would be represented but maybe not.  We know Verdi will be.  Gerald Finley announced at the Rubies that he would make his role debut in the title role in Falstaff at COC in 2013/14 so we can ink that one in.  Britten seems probable.  There’s a Houston/COC co-pro of Peter Grimes, directed by Neil Armfield that is due to to come to Toronto.  I think we can pencil that one in.  No idea on casting but I would love to see Stuart Skelton myself.  Wagner, I’m not so sure.  Maybe February’s run of Tristan und Isolde will be COC’s sole nod to Wagner.  Certainly the next most likely candidate; the Lyon/Met/COC Parsifal is, apparently, not expected before 2015.

Continue reading

Tcherniakov’s Gambler

So I finally found a way of getting the Kultur release of the 2008 Staatsoper unter den Linden production of Prokofiev’s The Gambler to work, with subtitles and all, though I had to go to my back up DVD player.  As you will read below this is a very interesting and worthwhile DVD but whatever you do, don’t buy the Kultur release which is technically wonky and features sub-standard Dolby 2.0 sound.  For heaven’s sake who is doing Dolby 2.0 on an opera DVD in 2008!  The same recording is available on regionless DVD and Blu-ray from C-Major and in that release it features PCM 5.1 and LPCM stereo choices.  There may even be some useful documentation which, as ever with Kultur, is minimal.  There are also more subtitle choices on the C-Major version.

Continue reading