I’m really not sure what to make of Jürgen Flimm’s 2004 production of Fidelio for the Zürich Opera House. It’s not offensive and it doesn’t really get in the way of the story but it seems quite devoid of originality beyond mixing styles in a way one might describe as anachronistic if one could figure out when synchronistic would be. Rocco wears a sort of frock coat with, apparently, goatskin pants, Marzellina’s dress looks probably 20th century, bolt action magazine fed rifles are apparently muzzle loaded and metal cartridge cases filled by hand. Then to cap it off when Don Fernando shows up he looks like he’s stepped straight out of a Zeffirelli production of Der Rosenkavalier. So “nul points” for coherence. For once one rather appreciates that so much of the action takes place in the dark.
Katharina Thalbach sets her Fidelio, filmed at Zürich in 2008, somewhere in the early 20th century. Most of the costuming suggests very early but Don Pizzaro’s suit suggests 20s/30s gangster. Maybe he’s just fashion forward. The story telling is fairly straightforward and there’s no big concept. There are a few, smallish, touches. For example, the prisoners seem to be playing basketball with Don Pizarro’s head in the conclusion. The sets are literal but evocatively lit and rather effective.