The other Plymouth pilgrims

I suppose in some ways Bellini’s I Puritani is the perfect bel canto opera.  It has lots of great tunes, a wicked coloratura soprano part and an utterly ridiculous plot (my comments on the plot can be found in my review of the Met/Netrebko recording) and, of course, a mad scene.  In this recording from Barcelona’s Liceu the soprano role of Elvira is taken by Edita Gruberova, surely one of the greatest ever in this genre.  At 54 she doesn’t look ideal for the young bride to be but she can act and she gives a master class in bel canto style. What she has to yield to Netrebko in terms of looks and physical commitment she makes up for in sheer technical prowess.

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Honest Injun?

I confess to having mixed, nay conflicted, feelings about the 2003 Palais Garnier recording of Rameau’s Les Indes Galantes.  On the one hand there is some really good music, idiomatically played and sung by musicians utterly at home in this repertoire, there’s some brilliant dance; both the choreography and the execution, and there is spectacle on a grand scale.  On the other hand there’s a nagging sense of cultural appropriation and, perhaps worse, a feeling that the whole thing may just be a giant piss take.  Actually in some ways it’s all of the above and if one can get into the spirit of the thing it sort of works.

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