Lise Davidsen at the Met

Soprano Lise Davidsen recently gave a recital at the Metropolitan Opera with pianist James Baillieu.  The live recording of that gig is now being released by Decca in various formats.  My gut reaction was to think that a piano recital at the Met is not such a great idea but the recording turns out to be terrific.

It starts out with a couple of opera arias,  There’s a powerful but very beautiful account of “Vissi d’arte” and a very stylish account of “Morrò, ma prima in grazia” from Verdi’s Un ballo in maschera.  In this one she shows some interesting colours as well as terrific, clean, high notes. Continue reading

Allan Clayton performs Hans Zender’s version of Winterreise

Hans Zender’s 1993 “composed interpretation” of Schubert’s Winterreise is really interesting.  It’s scored for tenor and a twenty-five piece ensemble including accordion, guitar, loads of percussion and a wind machine.  It’s also over eighty minutes long with the additional material being mainly intros and outros.  A new recording by Allan Clayton with the Aurora Orchestra conducted by Nicholas Conlon has just been released.  It’s fascinating.

I’m just going to pick up on a few of the tracks to try and give a flavour of what’s going on.  It all starts with “Gute Nacht”.  Here the singing doesn’t start until almost the four minute mark after an intro including a lot of extended technique for the strings.  To begin with, the singing is extremely beautiful and few singers do “beautiful” better than Clayton, then around the six minute mark it goes wild with accordion coming in and Clayton “uglifying” his voice for a minute or so before a more conventional ending. Continue reading

Matthias Goerne and Daniil Trifonov do Winterreise

It’s always interesting when a top notch baritone (especially a native German speaker) and a first rate concert pianist get together to do Schubert’s Winterreise, which is, I suppose, the pinnacle of the Lieder repertory.  That’s what we got at Koerner Hall on Thursday with a performance by Matthias Goerne and Daniil Trifonov.

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Schubert’s Four Seasons

Schubert’s Four Seasons is a recital disk on the BIS label by soprano Carolyn Sampson and pianist Jioseph Middleton.  It contains a generous 75 minutes of music made up of twenty Schubert songs about the seasons and nature generally (also death… there’s lots of death).  Most of the songs are less well known ones but there are some more frequently heard one likes Die Forelle, Im Frühllind and Der Hirt auf dem Felsen (which also features Michael Collins on clarinet).

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A bit of an oddball

Once in a while I go out on a limb with recordings.  Sometimes it’s great.  I’m not as a rule particularly fond of “cross-over” material but I loved Emily D’Angelo’s freezing for example.  So I took a listen to Schubert Beatles from the New York Festival of Song.  Broadly speaking, it pairs Schubert Lieder with Beatles’ songs on a similar theme; Yesterday and Im Frühling for example.  The Schubert is mostly presented pretty straight (except for guitar accompaniment on Du bist die Ruh).  The Beatles songs are arranged, by Steven Beier, for various combinations of piano, violin, bass and guitar.  The principal singer is baritone Theo Hoffman with tenor Andrew Owens and soprano Julia Bullock joining on some tracks. Continue reading

Sara Schabas in the RBA

Wednesday’s lunchtime recital in the RBA was given by Wirth Vocal Prize winner Sara Schabas and pianist Alexey Shafirov.  It was a varied and virtuosic programme.  Five composers and five languages were involved and the works performed ranged in date from the 1815 to 2000.

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Lines of Life

Lines of Life - Appl:KurtágLines of Life is a CD produced out of a deep collaboration between German baritone Benjamin Appl and Hungarian composer György Kurtág.  It’s a mixture of works by Schubert and Kurtág (with one song by Brahms at the end).  It centers on Kurtág’s Hölderlin-Gesänge Op.35a but there are other Kurtág works on the disk too,  Most of these are sung a capella but there are four settings of texts by Ulrike Schuster that have piano accompaniment (Pierre-Laurent Aimard).  The Schubert songs feature James Baillieu on piano except for the last one, and the Brahms, where Kurtág himself accompanies. Continue reading

Fenlon and Fenlon do Winterreise

fenlon winterreiseRachel Fenlon is a very rare, perhaps unique, talent.  She’s the only Lieder singer I know who accompanies herself on the piano.  I saw her perform live in Toronto back in 2018.  It appears she spent lockdown isolated in a forest near Berlin studying Winterreise (as opposed to be eaten by goblins or kidnapped by elf kings) which she has now recorded.  Many people would consider Winterreise as one of the epic challenges of the Lieder repertoire.  It’s an hour and a quarter of songs that cover pretty much the whole technical and emotional range of Schubert’s Lieder.  One might say the Everest of Lieder singing.  To perform it self accompanied is kind of the equivalent of climbing solo without oxygen instead of with a bunch of mates and Sherpas to carry the gear.  By that token perhaps we should consider Rachel the Reinhold Messner of Lieder singers!

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Dreams, Death and the Maiden

Monday night in Walter Hall Toronto Summer Music continued with a concert by the new Orford Quartet (Jonathan Crow and Andrew Wan – violins, Sharon Wei – viola, Brian Manker – cello).  I was there primarily to hear the première of Ian Cusson’s Dreams which was bookended on the programme by “Death and the Maiden” themed quartets in D minor by Mozart and Schubert.

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