Yesterday’s lunchtime recital in the RBA was given by soprano, Vanessa Vasquez and pianist Miloš Repický. It was a well constructed programme though there were few surprises. The first set was three Strauss standards; Ständchen, Breit’ übermein Haupt and Befreit; the last dedicated to Vanessa’s teacher who died recently. They were all well sung with appropriate emotional emphasis and, best of all, both performers appeared to be enjoying themselves.
Against the Grain Theatre opened their new show last night on the worst day of the winter so far. Over 15cm of snow fell and the TTC was in utter chaos. It’s becoming a habit. Last year’s Messiah opened in weather almost as bad. Uncle John is the latest modern, Toronto based, adaptation of the Mozart/da Ponte trilogy. It follows on from last season’s smash hit Figaro’s Wedding and was created and produced with support from the COC and the Banff Centre. It will be followed by A Little Too Cosy next season. The formula is basically the same. It;s ataged in a non traditional spave; in this case a rock concert venue on Queen West. The libretto is in English and differs in detail from da Ponte while respecting the basic spirit of the original. It’s also very Toronto and a little bit Toronto opera scene insiderish. Much of the recitative is replaced by spoken dialogue. There’s no chorus and accompaniment to the singers is provided by piano and string quartet. It’s a musical solution I like. It adds enough weight and colour that one hardly misses the full orchestra while being, of course, much more affordable. It all works really well and if you can you should see it. I’m putting my more detailed thoughts under the cut because they contain lots of spoilers which you may not want to read if you are going.