Coming up

Three things on the calendar this coming week.  Tuesday 22nd sees the first free noon concert of the season in the Richard Bradshaw Amphitheatre.  As custom seems to dictate it’s the Ensemble Studio performing.  The full programme is here.  It’s also the first gig with Claire Morley in charge.

screenshot-2015-06-19-21-42-15Friday 25th  and Saturday 26th, Friends of Gravity (who curiously do not include our cats) are presenting an intriguing looking version of Weill’s The Seven Deadly Sins.  The show is at 8pm at St. Bartholomew’s Church on Dundas Street East.  Tickets and details.

Also on Saturday, Metro Youth Opera have a season launch party/fundraiser at Opera Bob’s (a watering hole owned and operated by bass Robert Pomakov)  It’s at 5pm.  Details and tickets.

It’s starting to get busy again.

September approaches

Rachel-66-pinwheel2It’s almost September which means there may even be stuff to write about soon.  Here’s what’s in my calendar so far.

August 31st at 12.15 pm there’s a concert in the Music on Mondays series featuring soprano Rachel Krehm and an orchestra conducted by Evan Mitchell performing Dove sono by Mozart, selections from Strauss Op 27 and Dvorak’s 8th Symphony.  It’s at Holy Trinity Church near the Eaton Centre. PWYC suggested $5.

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Lunchtime concerts

2015-03-26-COC-NightsDreams-070The Canadian Opera Company has just announced the 2015/16 season line up for the free lunchtime concert series in Richard Bradshaw Amphitheatre.  Now under the curatorship of Claire Morley there’s the usual incredible array of chamber music, dance, piano, jazz and world music as as well as, of course, the vocal series.

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The Diary of The One Who Didn’t Disappear

The on/off saga of the Ensemble Studio’s promised Janáček’s The Diary of One Who Disappeared came to an apparent conclusion yesterday.  It had been postponed at least once and even this morning the COC website is advertising a complete performance with two soloists and a small chorus.

cocIt didn’t happen.  What we got was a recital by Owen McAusland singing some excerpts from the Janáček plus Vaughan William’s The House of Life and Britten’s Les Illuminations.  It was his last performance as a member of the Ensemble Studio during which time, among many other things, he sang several main stage performances as Tito covering for a sick Michael Schade.

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Songs of Love and Death

There may be cheerful songs in Russian but I’m not sure I have ever heard one.  Certainly there were none on offer at the Four Seasons Centre today when Ekaterina Gubanova and Rachel Andrist offered up a recital of Tchaikovsky and Mussorgsky works.  There’s a reason why one of three Russian words I can recognize is “Schmert”.  Depressing as the texts may have been these were truly wonderful performances.  Gubanova has a dark, very Slavic colour though she can brighten it when she chooses and she’s utterly fearless singing with great passion and, yes, there was a high C in there.

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Thirteen songs in search of an audience

This morning I went to the COC website to see what Josh Hopkins would be singing at lunchtime.  Bottom line, he wasn’t.  His recital had been replaced by a hastily put together program of pieces to be sung by Owen McCausland, Karine Boucher and Aviva Fortunata.  Given that Liz Upchurch said it was pieces they were looking for an audience for I’d guess it’s audition/competition rep that they are working on and therefore, to some extent, work in progress.

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Poetic Love

Today’s lunch time concert in the RBA was a lieder recital by two Ensemble Studio members; bass-baritone Gordon Bintner and tenor Andrew Haji.  Both singers sang settings of texts by Heinrich Heine.  Bintner, accompanied by Jennifer Szeto kicked off with selections from Schubert’s Schwanengesang to be followed by Haji and Liz Upchurch with Schumann’s Dichterliebe.

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In like a lion

7796132196_c04e8013c3_zGood heavens it’s March already!  There’s lots coming up in the Toronto vocal music scene.  This Saturday sees George Benjamin’s Written on Skin in concert performance with the TSO at Roy Thomson Hall.  Chris Purves and Barbara Hannigan from the original cast are singing with Bernhard Landauer coming in for Bejun Mehta as the Boy.  The composer conducts.

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Barbara Hannigan in the RBA

OK so who noticed that Barbara contains RBA twice?  A perfect fit one might say and so it proved.  In a short late afternoon concert Ms. Hannigan, joined by the TSO Chamber Soloists (Jonathan Crow, Peter Seminovs, Teng Li and Joseph Johnson) and Liz Upchurch, showed her chops as one of the day’s best interpreters of modern vocal music.   First up was the String Quartet No.2 by Schoenberg.  This is a most unusual quartet in that the players are joined by a soprano soloist for the third and fourth movements.  It’s also unusual in that, although it predates Schoenberg’s full blown serialism, the first three movements are tonal (just) but the last is a full on experiment in atonality.  None of this makes it easy to play or sing!

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France Bellemare; a soprano to watch

Today saw the annual lunchtime concert in the RBA in which members of the COC Ensemble Studio collaborate with visitors from the Atelier lyrique de l’Opéra de Montréal.  There were three singers from each program but rather unusually only one of them was female; soprano France Bellemare.  Naturally I was rather focussed on the visiting singers as the three Toronto participants; Gordon Bintner, Clarence Frazer and Andrew Haji are very much known quantities.  Of the visitors it was very much Ms. Bellemare who shone.  She has a very accurate, lovely rich voice with perhaps still some work to do on the top of her range but very easy to listen to and she’s musically and dramatically convincing too.  Her version of Micaëla’s Je dis que rien ne m’épouvante was very competent though I’m not sure it’s ideal rep for her.  The Song to the Moon from Rusalka though fitted her like a glove.  This was really lovely singing.  She also did very well in duet with Clarence Frazer in Lippen schweigen from Die Lustige Witwe or The Merry Widow or La Veuve Joyeuse as all three languages were used!  She can waltz too though perhaps not as well as Clarence.  Ladies, if you need a dance partner consider Mr. Frazer.  She also shone in the final number; the Libiamo from La Traviata.  I confess when I saw the program and saw that she would be partnered by Andrew Haji I rather expected her to be sung off the stage.  She wasn’t.  She held her own with a tenor who will sing this role on the COC’s main stage next season.  No mean feat.  This young lady is definitely one to watch.

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