Rainbow on Mars

Devon Healey’s Rainbow on Mars opened on Wednesday evening at the Ada Slaight Hall at the Daniels Spectrum.  It’s a co-production by Outside the March and the National Ballet directed by Nate Bitton and Mitchell Cushman with choreography by Robert Binet.

photo-by-bruce-zinger.-creator-performer-devon-healey-left-and-members-of-the-national-ballet-of-canada-rbc-apprentice-programme-in-a-production-still-from-rainbow-on-mars

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August is the quietest month

After the relative busyness of July; Fringe, TSM, August really does look pretty quiet.  There are a few things on though:

  • Devon Healey’s theatre piece about his own journey into blindness; Rainbow on Mars, runs at the Daniels Spectrum from August 9th to 20th (official opening is the 13th).  It’s a collaboration between the National Ballet and Outside the March Theatre Company.  It’s been described as Pan’s Labyrinth meets The Matrix and it features the debut of a new technology; Immersive Descriptive Audio.
  • Soulpepper offers a comparatively rare opportunity (for Toronto) of seeing some Harold Pinter.  Old Times, in a production directed by Peter Pasyk, is playing at the Michael Young Theatre.  Previews are from the 6th to the 12th with opening on the 13th and the run continuing to September 7th.
  • And if you want an outdoor alternative to CanStage’s Romeo and Juliet, Shakespeare in the Ruff are presenting Tiff’ny of Athens in Withrow Park from August 14th to 31st.

Walt vs. the lemmings

A Public Reading of an Unproduced Screenplay About the Death of Walt Disney by Lucas Hnath opened last night at the Young Centre in a production by Outside the March and Soulpepper.  It’s one of those pieces that is perhaps easier to admire than enjoy.  Technically, everything about it is excellent but sitting through ninety minutes of egotistical bullying is not a whole lot of fun.

Death of Walt Disney 2. Katherine Cullen, Diego Matamoros, Tony Ofori and Anand Rajaram. Lighting by Nick Blais. Set by Anahita Dehbonehie. Costumes by Niloufar Ziaee. Photo credit Dahlia Katz

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