Like everything else the 2020 Rubies, Opera Canada‘s awards show, is going virtual this year. It’s going out as a video, produced by Taylor Long of the COC, which will premier at 8pm on November 23rd. Joyce El-Khoury hosts and Ben Heppner narrates the honouree videos, and then Barbara Hannigan, Michael Schade and Yannick Nezet-Seguin contribute ‘acceptance’ speeches. Plus there’s a tribute to this year’s posthumous honouree, tenor Edward Johnson. There are also performances by Russell Braun, Rihab Chaieb, Midori Marsh and Matt Cairns recorded in the studio with pianist and singer co-located. The show will be shown via OC’s Youtube channel.
There’s much more about the honourees and their careers on the Opera Canada website:
Back in the summer Opera Canada asked a number of us to right a piece on our local opera scene and what was happening there that went beyond rewriting companies’ season announcements and updates. So in July I interviewed the leadership of seven local companies ranging from the COC to Opera 5 (thanks to all the lovely people who gave me their time). That article appeared in print in the most recent Opera Canada magazine. It’s now available on the 
My contribution to 
The latest issue of Opera Canada arrived in my mailbox yesterday. It’s the first issue produced by Gianmarco Segato as editor and there are a few noticeable changes. The general structure and look is the same but there are some new bylines. I noticed Sara Schabas has a rather good piece on Marie Clements. I’d bet a fiver that Sara is the youngest contributor to the mag in a while. There’s also an article by Dean Burry on the Canadian Children’s Opera Company tour of Brundibár to the Czech Republic, Poland and Hungary including a trip to Terezín. The obituaries include, sadly, Émile Belcourt who I saw sing Loge at ENO back in the 70s in the memorable run of The Rhinegold conducted by Reginald Goodall.
Opera Canada magazine, to which I’m a contributor, has a new Editorial Director. Gianmarco Segato, formerly with the COC, is taking over from Wayne Gooding who has been doing the job for an amazing 20 years. I think it’s a great choice. Anyhow, one of the goals going forward for OC is to build it’s on-line presence. That’s a long term project but there are things on social media that one can check out already. They are:
This review first appeared in the print edition of 
The Fall 2015 
operaramblings 