Things are really starting to slow down so this will be the last “upcoming” post before the summer lull when this feature will go on hiatus. Next week there’s the final vocal concert of the season in the RBA. It’s on Tuesday at noon when Karine Boucher will perform Ravel’s Shéhérazade with Charles Sy joining in with Britten’s Les Illuminations. On Sunday 21st at 5pm in Mazzoleni Hall, Christina Campsall has a recital of 20th century works including the challenging Messiaen piece, Poèmes pour Mi. It’s free.
Tag Archives: opera 5
Batty Fledermaus
I met with Aria Umezawa yesterday to talk about Opera 5’s latest project, a rather unusual take on Johann Strauss’ Die Fledermaus. The project grew out of a desire to break Opera 5’s association with reviving rather obscure pieces and to do something “from the canon”. But, of course, for this company there had to be an angle. In this case it’s that Act 2 will be an immersive, audience participation exercise. We are all invited to Orlofsky’s party. There will be aerialists, burlesque dancers and a grand waltz for all which will probably reduce choreographer Jenn Nichols to tears. There a few other change ups. Frosh is gone and Ivan is replaced by drag queen Pearl Harbor, who will emcee the party. It’s in English, as the set up would make surtitles pretty much impossible. And the cast is pretty good. Michael Barrett sings Eisenstein with Rachel Krehm as Rosalinde, Julie Ludwig as Adele and Erin Lawson as Orlofsky among others.
Opera 5’s Die Fledermaus opens at 918 Bathurst (just north of Bloor) on June 8th at 8pm with further performances on the 9th, 10th and 11th. Tickets here.
Some announcements
For those of you who were wondering “whatever happened to Opera 5?” they are back, and with some pizzazz (and possibly some pizza). Their upcoming show is an “immersive” version of the Johann Strauss classic Die Fledermaus. In act 2 patrons will be encouraged to interact; to dance with the cast, gamble at the tables, snort coke with Prince Orlofsky (ok I made that up) etc. The cast includes Michael Barrett, Rachel Krehm, Julie Ludwig and Erin Lawson with drag queen Pearle Harbour as Ivan and emceeing. Aria Umezawa and Jessica Derventzis direct with Patrick Hansen conducting. It plays at 8pm on June 8th to 11th at 918 Bathurst Street. Tickets at www.opera5.ca.
The week in prospect
This afternoon at 3pm, at Trinity St. Paul’s, Off Centre kick off their season, Geoff Sirett, Nathalie Paulin and others offer an all Russian programme.
Super Tuesday is a ridiculously busy day. At noon in the RBA Array Music is presenting Love Shards, a program of music by contemporary women composers. The full programme is here. In the evening Adrianne Pieczonka and Kristina Szabó are singing works by Crumb and Berio at Koerner Hall. There’s also a fundraiser for Opera 5 at The Extension Room. I’m sorry to be missing that one as the last couple have been a blast. Definitely worth going to if you are not going to Koerner.
Thursday there is a PWYC show by UoT Opera at The Black Box Theatre at 7.30pm. Tim Albery and David Fallis, creators of last season’s evocative Last Days, have created The Fatal Gaze, an exploration of the dangers of looking too long or too closely, inspired by the Baroque repertoire. Last days was really good so I have high expectations for this one. It’s also on on Friday.
More season announcements
A few more season announcements have come in. Off Centre Music Salon have moved to Trinity St. Paul’s. They have announced two concerts. This coming Sunday 27th there’s Russia Cast Adrift featuring mezzo soprano Emilia Boteva, tenor Ernesto Ramirez, baritone Geoffrey Sirett, and soprano Nathalie Paulin singing Sviridov’s song cycle Russia Cast Adrift plus works by Rachmaninoff, Gavrillin and Scriabin. Then on Sunday, November 1st there’s a programme called The Geometry of Love featuring Joni Henson, soprano and Peter McGillivray, baritone with Mark Skazinetsky, violin, Igor Gefter, cello and pianists Inna Perkis and Boris Zarankin performing works by Beethoven, Chopin, Mahler, Strauss and Wagner.
Running a little late here
Back in January I saw Opera 5’s show Modern (Family) Opera at the Arts and Letters Club. I didn’t review it here because I was covering it for Opera Canada. It seems that there was some breakdown in communication, probably the dodgy email connection at our temporary digs last winter, and it never made it to the mag and so wasn’t printed. It’s a pity as it was a good show and so, belatedly, I’m sticking the review here, for the record, instead.
Modern (Family) Opera
Opera 5’s new show at the Arts and letters Club pairs Wolf-Ferrari’s 1909 comedy Il segreto di Susanna with a new work , Storybook, by Darren Russo inspired by Blake’s Songs of Innocence and Experience. I can’t do a full review as I’m writing it up for Opera Canada but I think I can fairly say that the Wolf-Ferrari is hilarious and the Russo weird, rather wonderful and quite disturbing. It’s a show well worth seeing and you can catch it tonight or tomorrow at 7.30pm. Here are some production photos by Emily Ding. Continue reading
New shows from Opera 5 and Voicebox
Two new shows have been announced for late January/early February. First up is Opera 5 with a double bill at the Arts and Letters Club from January 23rd through 25th at 7.30pm. This show will feature the world premier of Montreal-based composer Darren Russo’s Storybook partnered with Emanuel Wolf-Ferrari’s Il segreto di Susanna. Singers involved include Emma Parkinson, Leigh-Ann Allen, Christopher Mayell, Geoffrey Sirett, Geoffrey Penar, and Rachel Krehm. This performance will mark the second new opera commission by the company and their second performance collaboration with Toronto Pop Up Orchestra, who will accompany the show. Evan Mitchell will conduct. Aria Umezawa will direct the Russo with the Wolf-Ferrari in the hands of Grace Smith. In typical Opera 5 fashion custom cocktails will be available for purchase before the show and during the intermission. Tickets are available online ($25.00 Early Bird – available until Jan 10th, $30.00 Students, $35.00 GA) or on the door ($30.00 Students/$35.00 GA).
Opera 5 do Hahn and Offenbach
Opera 5’s latest show presents two rarely seen French one act operas. First up was Reynaldo Hahn’s 1897 work L’île du rêve. It’s one of those French officer falls in love with beautiful sixteen year old girl on tropical island and then “duty” calls and he dumps her and she dies of a broken heart pieces. The only twist is that here he offers to take her back to France but the ruling princess advises her that, away from the island, she will lose her charms and he’ll come to despise her so she doesn’t. A touch of French worldliness colouring this rather overdone plot device perhaps? The staging, by Aria Umezawa, is fairly simple though clearly a lot of thought went into how to make the intimate scenes between the principals work. There are also some rather beautiful projections involved.
And so it begins
So, after the rather scattered events of the summer last night’s fundraiser for Opera 5 at Atelier Rosemarie Umetsu felt like the start of a new season. It was well attended and organised in an intriguing and fun format. Basically, Team Day and Team Night were competing to see who could raise the most money. There were four rounds in which a singer from each team presented an aria, song or MT number. The one with the most pledges got to sing his or her “show off” aria. For an additional donation, the loser got to do the same. Given that some of the city’s best young singers were performing it was to be expected that it was a good show.
