Figaro’s Prenup

Today’s free lunchtime concert in the Richard Bradshaw Amphitheatre was a preview of Against the Grain’s upcoming Figaro’s Wedding.  Its got a brand new English libretto by director Joel Ivany very much along the lines of the La Bohème they did at the Tranzac a few years back; setting the story in today’s Toronto but keeping the basic plot line roughly similar.  Today’s show featured excerpts from the piece plus interviews with the characters by Joel.  I don’t want to do spoilers but let’s just say it’s very clever and very funny.  It’s got a great cast of young local singers and it’s been arranged for piano and string quartet by the amazing Topher Mokrzewski. This is going to be really, really good and I’ve never heard anything get such an enthusiastic reception in the RBA.

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The full show is going to play at a real wedding hall, The Burroughes Building at 639 Queen Street West on May 29-31 and on June 2.  There’s no show on June 1 because the venue is booked for a wedding!  Tickets and more details are available at http://www.againstthegraintheatre.com.  Be warned, opening night is already sold out and I expect the remaining nights will also sell ahead of time.  This is going to be a hot ticket.

Sorry about the iPhone photo.  Expect better ones in due course.

The French connection

Today’s free lunchtime concert in the RBA was given by Topher Mokrzewski wearing his pianist hat; as opposed to his conductor, accompanist, music director, vocal coach or tap dancing hat.

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Photo credit: Chris Hutcheson

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Kurtág and Janáček at the Extension Room

ivany

Joel Ivany

Against the Grain Theatre have another hit on their hands.  Joel Ivany once again successfully combines young talent, unusual repertoire and a funky performance space to create a brilliant evening of song and story.  This time the space was a yoga studio on Eastern Avenue and the works on offer were the Kafka-Fragments op. 24 by György Kurtág and The Diary of One Who Disappeared by Leoš Janáček.  Neither work was written for the stage but both were well suited to Ivany’s sensitive direction and Michael Gianfrancesco’s minimalist “sets”.  Continue reading

Against the Grain’s Seven Deadly Sins

Last night we headed out to that part of the formerly industrial west end much beloved by tiny arts organizations to see a thoroughly eclectic series of performances by Against the Grain Theatre. This is the company that previously brought us a genuinely Bohemian La Bohème at the Tranzac club. Last night’s show cunningly built on that success by using the undoubted crowd pleaser, Lindsay Boa-Sutherland, to headline a performance of Weill’s Die sieben Todsüngen. Since the orchestra was replaced by two superbly virtuosic pianists in Daniel Pesca and AtG music director Christopher Mokrzewski it made sense to include two fiendish pieces for two pianos; Steve Reich’s Piano Phase and John Adams’ Hallelujah Junction. The program was balanced up for “virtue” with Britten’s Abraham and Isaac. So, a thoroughly eclectic but oddly coherent line up.

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Canadian Art Song Project recital

Photo by Danilo Ursini http://www.ursiniphotography.com

The Canadian Art Song project is an initiative of Lawrence Wiliford and Steven Philcox to encourage the composition, performance and recording of Canadian Art Song (surprise!). Part of the program is an annual commission for a Canadian composer and poet for such a work. This year’s commission formed part of today’s recital in the Richard Bradshaw Amphitheatre.

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