William Christie and Les Arts Florissants recorded Monteverdi’s Il ritorno d’Ulisse in patria in Aix-en-Provence, five years before their Madrid recording. The Aix production was directed by Adrian Noble and featured real life couple Kreśimir Śpicer and Marijana Mijanović as Ulisse and Penelope.
Handel’s Orlando is pretty classic opera seria stuff. It’s based on an episode in Ariosto’s Orlando Furioso. Orlando, a great soldier in Charlemagne’s army has lost his ardour for military glory because he has fallen desperately in love with the pagan princess Angelica, who is in turn in love with another man, Medoro. Orlando cannot accept this and he is driven to madness, prevented from causing absolute carnage only by the magician Zoroastro (who eventually restores his sanity). There’s also a shepherdess, Dorinda, who is also in love with Medoro, but comes to accept her lot. It’s all a bit daft and screams for a strong production concept. In his 2008 Zürich production Jens-Daniel Herzog finds one. He relocates the action to a military psychiatric hospital during, or just after, WW1. Orlando is suffering from battle fatigue or PTSD and Zoroastro is a psychiatrist. Angelica is still a princess but Dorinda has become a nurse. It all works rather well.