For the last few years the COC has had a fairly glitzy evening at which the next season is announced and there are interviews, a few performances etc. This year, for whatever reason, the two elements were divorced. The season was announced in a press release win January with no fanfare; not even a press conference. The glitzy bit happened last night with a cocktail reception and a stage event hosted by Brent Bambury.
The Canadian Opera Company has announced the addition of three singers and a pianist to the Ensemble Studio for next season. The singers, unsurprisingly, are the three prize winners from November’s Centre Stage; Soprano Karine Boucher, tenor Jean-Philippe Fortier-Lazure and bass-baritone Iain MacNeil, The pianist is Jennifer Szeto. The COC also announced the setting up of an orchestral equivalent of the Ensemble Studio in which a number of young musicians will work with Johannes Debus and the COC Orchestra. Names were announced on Wedneday night but I can’t find them in any of the press releases. Continue reading →
So today’s Globe and Mail carries the news that the Canadian Opera Company has commissioned its first new work since 1999. A piece based on the life of the emperor Hadrian will headline the company’s 2018 season. Now Hadrian may be best known for a chunk of masonry in the north of England but he’s also almost as well known for deifying his lover Antinous. Since the music and book for the new work are to be by Rufus Wainwright and Daniel McIvor I think we can safely say that that side of things will feature more prominently than fortification construction. Continue reading →