I really wonder why Gluck’s Alceste gets as many productions as it does. The plot is essentially dull (summarised in this review) and I really can’t see an angle that could be used to make it interesting and relevant to today’s audience in the way that one can with such classical stories as Antigone, Medea or Idomeneo. The music, bar a handful of numbers, is not very exciting either.
That’s what Laurent Pelly said about the idea of a Frenchman directing a French opera adaptation of a Shakespeare play for an English audience during Shakespeare 400. Maybe he has a point but I think his 2016 production of Berlioz’ Béatrice et Bénédict probably gets as much as there is to be got out of a curiously uneven work.