Zürich Ring – Die Walküre

Continuing on from Das Rheingold we come to Die Walküre.  There’s a lot of continuity with the earlier work.  It’s basically the same rotating set though in some scenes one of the “rooms” becomes a forest.  Another thing we see is characters who aren’t canonically “there” appearing in scenes.  So right at the beginning, when Siegmund and Sieglinde meet, Wotan is lurking and doing things like handing drinks to Sieglinde.  We’ll see more of this with Hunding’s henchmen appearing in various places, Wotan and the henchmen appearing when Sieglinde is describing her wedding and the Valkyries showing up at the start of Act 2.

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A new Ring from Zürich – Das Rheingold

A new production of Wagner’s Der Ring des Nibelungen is always a bit of an event and all the more so when it’s in the city where the work was composed.  Andreas Homoki’s production premiered and was recorded for video at Opernhaus Zürich in 2024.  I’ll be working my way through the whole cycle but here are my initial thoughts based on Das Rheingold.

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Siegmund as Psychopath

Following on from Das Rheingold, the second instalment of Dmiti Tcherniakov’s Ring cycle; Die Walküre, recorded at Staatsoper unter den Linden in 2022, has now been released on video.  We are sill in the ESCHE psychological research centre.  During the Prelude we see news footage of Siegmund’s escape from the programme he is in.  He staggers into Hunding’s staff apartment to find Sieglinde.  Hunding, when he appears, is some sort of armed security guard.  This illustrates the problems I have with this production.  The psychology of the Siegmund/Sieglinde/Hunding trio works well but the back story of Wälse, Sieglinde’s forced marriage etc makes no sense at all.  Oh, and Wotan seems to be watching everything that goes on.

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The Enchantress

The Enchantress (sometimes translated as The Sorceress) is a rather infrequently performed 1887 opera by Tchaikovsky.  It got a production in Frankfurt in 2022 with an interesting cast.  Asmik Grigorian plays the title character; Kuma or Nastasya, and Iain MacNeil, late of this parish, is Prince Nikita.  It’s the first time I’ve come across him since he moved to Germany.

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The Rheingold Research Centre

It’s pretty difficult to judge whether or not a high concept production of Wagner’s Ring cycle is going to work or not just from Das Rheingold but I thought Dmitri Tcherniakov’s production for Staatsoper unter den Linden recorded in 2022 was pretty promising.  His world is a large research complex designated ESCHE for reasons that aren’t clear.  The time period seems to be 1970s or thereabouts.  The research is essentially psychological and the characters are variously executives, scientists and experimental subjects.

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In 1618 twelve million people lived in Germany

Sometimes one comes across a previously unfamiliar work that just blows one away.  Karl Amadeus Hartmann’s Simplicius Simplicissimus did that to me.  It’s a work written by Hartmann in 1934/5 as he watched the early years of Nazi power and the banning of “degenerate” art.  By the time it got its premier in 1949 it’s story of a Germany physically and morally ravaged by war would seem all too prescient.  It’s a simple story based on the early chapters of a novel by Grimmelshausen set during the Thirty Years War(1).  It concerns a simple shepherd boy who is drawn into the conflict.  There are three scenes.  In the first, the entirely innocent boy witnesses the brutal destruction of the farm he works on by vagrant Landsknechten.  In the second he is befriended by a hermit and undergoes a sort of moral education before once again being left abandoned by the hermit’s death.  In the thirdhe becomes jester to the drunken and corrupt Governor; the idiot who tells the truth, until all is overthrown by a Peasant’s Revolt.

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