Fear and loathing in Corinth

Cherubini’s 1797 opéra comique Médée was one of the first to use the form for serious drama.  Krzysztof Warlikowski’s 2011 production filmed at La Monnaie in Brussels is certainly that.  Jason, Medea and the rest are very contemporary characters though we often see them against a backdrop of 1960s style home movies and the chorus too, which tends to remain in the background also seems to be from the same period.The meaning of this juxtaposirtion isn’t clear and there is nothing on the disks or in the documentation to help.  We are also told that the libretto was adapted by Warlikowski and dramaturge Christian Longchamp but nothing more than that.  This is definitely a production where the director’s notes would be a major plus.

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Let us laugh at heaven and earth

Rameau’s Plateé is a comedy in three acts with the obligatory allegorical prologue and lots of ballets.  It tells the story of the bizarrely ugly water nymph Plateé.  In an attempt to calm down Juno who, as usual, is angry at Jupiter’s infidelities, Mercury and the satyr Citheron arrange for Jupiter to pretend to fall in love with and marry Plateé.  Juno arrives during the wedding in a fury but when she sees Plateé she realises the joke and is reconciled with Jupiter.  Plateé returns, distraught, to her swamp.  It’s all really rather cruel but does have a few good jokes.. and lots of ballets.

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