Today’s MetHD broadcast was Mozart’s last, and arguably best, opera La Clemenza di Tito. J-P Ponnelle’s production has been around for a while and offers nothing to offend traditionalists. There’s not a baked potato, muscle suit or child sacrifice in sight. The set, maybe more Italian Renaissance than Imperial Rome is elegant, undistracting and very singer friendly. The costumes are a rather eclectic mix of late 17th century and Republican Rome with a bit of Lady Capulet thrown in but only the black number with the big panniers that Vitellia gets in Act 2 would excite much comment. Direction then focuses rather on the characters and their relationships.