A Prism of Sound

Saturday night’s concert by the Cantabile Chamber Singers, with their conductor Cheryll J. Chung, at Church of the Redeemer; entitled A Prism of Sound, was the last of their 2023/24 season and, I think, the first time I’ve seen this particular choir.  It was an all Canadian programme.  The first part consisted of works by various choral composers like Matthew Emery and Peter Togni and it was all tonal works for unaccompanied choir on, basically, liturgical texts.  It was pleasant enough but, for me at least, after a while one Ave Verum Corpus sounds much like the rest.  I surprised myself by really quite liking Emery’s Sweetest Love which was quite complex and rather overturned my previous impressions of his music.  I also enjoyed Eleanor Daley’s setting of an extract from the Song of Solomon; Upon Your Heart.  But maybe that’s because the text has special resonance for me.  No complaints about the performance though.  They are a very good choir.

17.beginning.group _1.1.1

Continue reading

Guth’s Clemenza

Claus Guth’s Salzburg da Ponte cycle is certainly my favourite trifecta and they are right up on my list for top picks for all three operas so I was intrigued to see what he would do with the much less recorded La clemenza di Tito which he directed at Glyndebourne in 2017.  Bottom line, I’m not at all convinced by it.

1.video

Continue reading

Song for Athene

johntavenerLast night’s Soundstreams concert at Trinity St. Paul’s was devoted to works by John Tavener and people who were close to him.  The principal performers were soprano Patricia Rozario, Choir 21 and the Toronto Children’s Chorus joined, as needed by Christopher Dawes on piano and organ and Erica Goodman on harp.  Conducting duties were split between Elise Bradley and David Fallis.  There was plenty of explanatory material from artistic director Lawrence Cherney plus some from Ms. Rozario as well as taped comments from Tavener to set up the pieces.

Continue reading

More contemporary music

Andrew Ager’s Führerbunker is coming to Toronto under the auspices of the Centre for Opera Studies in Italy.  It plays at the Tranzac Club on May 1st and 2nd at 7.30pm.  It’s a one hour piece, in German, dealing with the last days of the Hitler regime.  There’s an article about it at Musical Toronto.  Tickets are available here.

fuhrerbunker Continue reading