The Soldier’s Tale reimagined

Sankofa: The Soldier’s Tale Retold is the latest and, probably, the last show from Art of Time Ensemble.  It’s a bold and successful attempt at updating Stravinsky’s iconic work.  The music is all Stravinsky but Titilope Sonuga’s libretto is new.  It preserves the basic triad of Narrator, Soldier and the Devil but moves them to WW1 Canada.  Our soldier is a Black Canadian of West African extraction who is trying to join the Canadian army, which rejects him because of his skin colour.  His faith in his heritage, symbolised by the spirit bird Sankofa, with a little help from the Devil leads to the formation of the 2nd Construction Battalion, a non-combat unit, which was the only way Black Canadians could serve.  He survives the war and returns from France to find that the same battles must be fought over (and over, and over) again.

Ordena Stephens-Thompson & Olaoluwa Fayokun_Sankofa_ The Soldier_s Tale Retold_Art of Time Ensemble_photo by John Lauener

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April preview

april24Here are some upcoming shows for April:

Music

  • First, a late March Show.  Yu Dun and Royce Vavrek’s Pulitzer winning opera Angel’s Bone, about human trafficking, comes to Harbourfront Centre Theatre March 22nd to 24th.  More information here.
  • On the 6th the Happenstancers have a concert; Being Pascal Dusapin, at Redeemer Lutheran.  We are promised a “a portrait concert in palindromic form” featuring music by Dusapin, Kaija Saariaho and Samy Moussa.

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Indie Operas

angelsboneComing up later this month is Angel’s Bone; an opera with music by Du Yun and a libretto by the amazing Royce Vavrek.  It’s a chamber opera for amplified voices and small ensemble.  The plot concerns two angels who fall to earth and are ruthlessly exploited by otherwise unremarkable people.  It’s a commentary on human trafficking and the exploitation of youth.  There’s a really good looking cast and it will play at Harbourfront Centre March 22nd to 24th.  It’s already attracted largely positive reviews in New York and Vancouver.  More details including casting and ticketing here. Continue reading

Dance to the Abyss

artoftimeDance to the Abyss is a show of music from the Weimar Republic currently on stage at Harbourfront Centre Theatre.  It’s given by Art of Time Ensemble as part of their 25th and final season.

It’s an interesting mix of instrumental and vocal music.  The first piece in the programme is Erwin Schulhoff’s Hot Sonate for Sax and Piano which is a four movement, heavily jazz piece influenced, expertly played by Andrew Burashko and Wallace Halladay (I think).  It’s followed by three pieces by the prolific Mischa Spoliansky.  There’s the atmospheric instrumental piece Sehnsucht and two songs sung by Patricia O’Callaghan in English translation; I Am a Vamp and L’heure Bleue.  The songs are pretty well known and fun and I liked O’Callaghan’s playful treatment of them. Continue reading

The COC at Harbourfront

harbourfrontOn Saturday evening the COC presented a teaser concert for their 2023/24 season on the outdoor stage at Harbourfront.  The weather stayed fair and there was no more than the usual aural background to distract a little from the music.  The full orchestra under Johannes Debus was on display along with half a dozen members of the Ensemble Studio.

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Last Night at the Cabaret Yitesh

Last Night at the Cabaret Yitesh is playing at the Ashkenaz Festival at Harbourfront.  It’s a crazy mix of cabaret and other influences from the wild and wacky pen of Michael Wex.  The back story is that it’s 1938 and the last night that the Yiddish language Cabaret Yitesh will perform in Warsaw before being, in effect, deported.  So, no longer dependent for their continued existence on the whims of the censor’s office they can let rip.

Cabaret-Yitesh

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Crowded, dirty, dangerous

The Ward Cabaret, which opened at Harbourfront last night, is an exuberant celebration of the Ward; a Toronto neighbourhood that once covered the area bounded by Queen and College and Yonge and University.  From the mid 1800s until well into the 20th century it was far from the highly respectable quartier it’s become.  It was the first landing place for immigrants; Irish, Jews, Chinese, fugitive slaves, Italians.  A neighbourhood of low rent housing, cheap restaurants, the factories that fed Mr. Eaton’s catalogue and a bunch of rather more dubious businesses.  The City Fathers hated it but it had a life of its own that David Buchbinder (he of Yiddish Glory) and his team have turned into a spectacular evening of theatre/cabaret.

The Ward-Cabaret-04682 photo by Ed Hanley

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Danceworks at 40

Danceworks 40th anniversary show opened at Harbourfront last night.  Now contemporary dance isn’t really my thing but I was invited in part on the assumption I’d write about the music.  Fair enough but I thought we could do better than that so I asked my partner Katja, who has at least some dance in her background to guest review.  She has done this in rather more detail than I might have expected so what follows is basically her work.  I have added a few comments, mostly about the music, and I have made it clear where it’s me talking.  It would be obvious anyway as I am, as the good lady points out, a “grumpy old bastard”.  Over to Katja…

Joanna de Souza & Esmeralda Enrique-Amalgam-photo 03 by Hervé Lelbay_preview

Photo: Hervé Lelbay

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Balancing on the Edge

Balancing on the Edge combines the talents of A Girl in the Sky Productions and the Thin Edge New Music Collective.  It’s a challenging and exciting blend of New Circus and Contemporary Music (for some definition of both/either).  The circus element included aerialists, juggling and clowns while the music varied from Cage and Xenakis to pieces composed for the show.  There were live projections too.  The show was divided into six “acts” with some clowning interludes and other breaks for set up but mostly it was pretty fluid.  The performance space, the Harbourfront Theatre, was pretty much cleared down to a single ring of seats at ground level with more seating in the galleries, which allowed plenty of space for the various rigs employed.

bote3

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Barefoot Messiah

Against the Grain Theatre revived their 2013 choreographed Messiah last night Harbourfront Centre.  It’s quite heavily reworked from the 2013 edition and I think the changes are an improvement.  The creative team of Topher Mokrzewski (Music), Joel Ivany (Stage direction) and Jenn Nichols (choreography) remains the same as does the overall “look and feel”.  The soloists are supported here by a 16 strong chorus and 18 instrumentalists.

messiah_002

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