Blondel steals the show

Opera in Concert opened their season at Trinity St. Paul’s on Saturday with the Canadian premiere of André Grétry’s 1784 opéra comique Richard Coeur-de-Lion.  This is very loosely based on the story of Richard’s imprisonment by Leopold of Austria while returning from the Third Crusade.  Richard’s man Blondel; disguised as a blind minstrel, discovers Richard’s place of imprisonment by playing a tune that Richard wrote.  He then enlists the help of the Countess of Flanders, in love with Richard, (which would have come as a surprise to Berengaria of Navarre) and a Welsh knight; improbably styled Sir Williams, who his now (also improbably) running an inn in Austria and his daughter, Laurette.  The governor of the castle where Richard is imprisoned, Florestan, in turn in love with Laurette, is tricked and Richard is freed to great rejoicing. (As opposed to a whopping ransom being paid!)

Continue reading

Lively Pirates at TOT

Toronto Operetta Theatre opened a run of Gilbert and Sullivan’s The Pirates of Penzance at the Jane Mallett Theatre last night.I think it’s got everything one could expect from a modest budget G&S production and maybe a bit more.  Bill Silva-Marin’s production is energetic with a lot of stomping, marching and mincing going on which makes the small stage (even smaller than usual as the band is on stage) look lively and busy.  The chorus is good and sings idiomatically.  The principals also appear to understand the genre and there’s some good acting and good, at times excellent, singing.

4

Continue reading