David McVicar chooses to set his production of Die Meistersinger, staged at Glyndebourne in 2011, in the 1820s or thereabouts. It’s an interesting choice as it puts German nationalism in a specifically cultural rather than political context and also rather clearly makes the point that “foreign rule” = “French rule”. That said, he really doesn’t develop any implications from that and what we get is a production typical of recent McVicar efforts. There’s spectacle aplenty and very good character development but he doesn’t seem to have any Big Ideas; for which, no doubt, many people will be grateful. The only place he seems to go a bit overboard is in laying on some fairly heavy German style humour. People who think that slapping waitresses on the bottom is the height of comedic sophistication will probably appreciate it.
David McVicar’s Die Meistersinger