Hockney’s Rake

Having watched quite a few opera recordings from the 70s and 80s recently I can well see why David Hockney’s designs for Stravinsky’s The Rake’s Progress at Glyndebourne were such a big deal back in the day. They look they were designed by an artist rather than being lifted from an expensive department store furniture catalogue. And, of course, they are still in use. Beyond the design issues, this has a kind of transitional feel as a production. Occasionally some acting breaks out and quite imaginative use is made of the chorus but there is a lot of “park and bark”; perhaps somewhat inevitable on the old, small Glyndebourne stage but very noticeable. It’s hard not to feel that director John Cox could have done a lot more with a neat staging and a talented cast.  Continue reading