British soprano Mary Bevan and pianist Roger Vignoles gave a recital of French chansons in Walter Hall on Monday night. The concept was that the songs were paired; one being a setting of Baudelaire by a male composer and the other song by a female composer of the the same period. With two exceptions all the composers were French and with one exception from roughly the fin de siècle. So Duparc, Déodat de Séverac, Fauré Debussy and de Bréville were paired variously with the predictable; les sœurs Boulanger and Pauline Viardot, and less predictable; Mel Bonis, Marguerite Canal, Amy Beach (American) and Jeanne Landry (Canadian and much later).
Tag Archives: duparc
Tea For Two
Last Friday’s lunchtime concert in the RBA was given by the France-Canada Academy of Vocal Arts at the University of Toronto. That mouthful is the moniker of a collaboration between the Faculty of Music and the Académie Francis Poulenc. So this last week members of the AFP had been in Toronto working with students and faculty here on French chansons and canadian art song. Fridays concert showcased six singer/pianist teams singing French song rep from both sides of the Canadian Channel.
Elisabeth St-Gelais at Walter Hall
Tuesday night’s Toronto Summer Music concert in Walter Hall featured Quebec soprano Elisabeth St-Gelais with Louise Pelletier on piano. The first part of the concert consisted of songs by Brahms and Strauss. I’m not a huge fan of Brahm’s Zigeunerlieder, Op.103 which are very much an example of Germans misunderstanding just about everything about Hungarian folk music let alone gypsies. The texts are cliché ridden and the music isn’t much better. Ms. St-Gelais sang then with a full pleasant tone and some attention to the text but she really needs to work on her German diction.

Norcop and Koldofsky Prize recital 2024
Thursday lunchtime in Walter Hall saw the 2024 edition of the annual recital by the winners of the Norcop Prize in Song and the Koldofsky Prize in Accompanying. This year’s winners are mezzo-soprano Nicole Percifield and pianist Minira Najafzade.

Wirth prize winner
The 2021/22 winner of the Wirth Vocal prize at McGill’s Schulich Schoolof Music is Innu soprano Elisabeth Saint-Gelais. She performed in the RBA at noon on Wednesday, accompanied by Louise Pelletier. It was impressive. She has power to burn and a rather lovely voice and, not so common among young dramatic sopranos, considerable control across her registers. She also displayed considerable linguistic skill in French, German and Czech though I’m completely unqualified to comment on the quality of her Anishinabe.

Cantilena
Cantilena is a CD of art songs by various composers arranged for soprano, harp and cello. It’s an interesting twist on music that one is likely to be fairly (sometimes very) familiar with in the usual voice and piano format. It’s a generous disk with nineteen songs in all. The composers featured are Debussy, Duparc, Fauré, Massenet, Tosti, Tedeschi, Richard Strauss, Gregory and Villa-Lobos. The performers are soprano Gillian Zammit, harpist Britt Arend and cellist Frank Camilleri. Arend and Camilleri are principals with the Malta Philharmonic Orchestra.
Old Songs, New Songs
Yesterday Matthew Cairns and Rachel Kerr performed an unusually wide range of songs in the Richard Bradshaw Amphitheatre. It’s part of Matthew’s prep for his CBC recording session which was part of the prize at last year’s Centre Stage and which will be broadcast in the new year. They kicked off with a contrasting pair of Duparc song’s. First came the almost dreamy L’invitation au voyage with it’s arpeggio accompaniment followed by the much more dramatic Le manoir de Rosemonde. These really set the tone for the recital. There was power where it was needed but also considerable delicacy from both singer and pianist.

Batting 1000
Yesterday saw the 1000th concert in the Richard Bradshaw Amphitheatre (*) since the house opened in 2006. Fittingly it was given by Susan Bullock who sang Brünnhilde in the Canadian premier of the Ring Cycle that christened the new theatre. She was accompanied by Liz Upchurch who has also been around since before the new house existed.

The World of Yesterday
Yesterday’s lunchtime concert was my second chance in just over a week to see Erin Wall in recital, in a completely different program from the Mazzoleni gig. There were three sets. First up were Korngold’s Three Songs Op.22. I’m all for more German songs in recitals, especially someone other than the Schus, but I wasn’t really taken with these. They seem closer to the later film music in style than to, say Die tote Stadt. They got the operatic treatment from Erin which is probably not a bad thing here.

Osborne and Haji
Yesterday’s free lunchtime concert should have been the first opportunity to see Simone Osborne and Gordon Bintner in recital together but, sadly, Gordon had the lurgy so, if you want to see them perform together you will just have to go and see L’elisir d’amore at the COC. Fortunately Andrew Haji was able to jump in at short notice. Not such a bad guy to have on the bench!
Andrew started out with Santoliquido’s I canti della sera. I had heard him sing these before at Mazzoleni but it was good to hear them again. Genuine Italian art song isn’t all that common and these show the voice off nicely. There was both some lovely limpid singing and plenty of power when needed. He’s a pretty good story teller too. He also gave us the three Duparc songs that he and Liz Upchurch, once again at the piano, gave us earlier in the year. Again the standout was Le manoir de Rosemonde, a most beautiful and haunting song given the full treatment here.

