Doras 2020

The Dora winners were announced last night.  I don’t think there were any big surprises in the opera category.  The COC’s Rusalka scooped most awards with four including Outstanding Production.  The other three were Outstanding Direction (David McVicar), Outstanding Musical Direction (Johannes Debus) and Outstanding Achievement in Design (Lighting) (David Finn).  It was probably the best thing overall the COC has done in a long time so not shocked.

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Yvette Nolan and Dean Burry won the  Outstanding New Opera category for Shanawdithit.  I’m delighted about this one as I had rather more personal emotional investment in this project than most things I see and it was an important project in so many ways. Marnie Breckenridge received the Dora for Outstanding Performance by an Individual for her performance in Jacqueline.  Also well deserved and a wee but surprising as there was every reason to give this one to Sondra Radvanovsky and usually that kind of name recognition wins out.  In any event two big wins for Tapestry (and a nod to Opera on the Avalon for being a smaller regional company prepared to invest in something relevant).

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Finally, Soundstreams presentation of Two Odysseys: Pimooteewin / Gállábártnit won Outstanding Performance by an Ensemble.  In this case Nicole Joy-Fraser, Karen
Weigold, Vania Chan, Deantha Edmunds, Jennifer Taverner, Rebecca Cuddy, Bó Bárdos, Michelle Lafferty, Jonathan MacArthur, Mitchell Pady, Evan Korbut, Bryan Martin and Neil Aronof.  This was another fascinating show that deserved some recognition.

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So, yes, the eight hundred pound gorilla came out on top but hardly by a knock out.

Jacqueline

Jacqueline is a new opera by librettist Royce Vavrek and composer Luna Pearl Woolf.  It will premiere at Tapestry next month.  It deals with the life and career of cellist Jacqueline du Pré.  Du Pré was a celebrity in her own life time.  She made her Wigmore Hall debut at age 16 in 1961 and quickly established herself as one of the all time greatest exponents of her instrument with a rather special relationship with the Elgar concerto.  Marriage to Daniel Barenboim, conversion to Judaism and “membership” in the rather remarkable circle of musical Jews in New York followed.  Her physical ability to play the cello though began to decline in 1971 and a formal diagnosis of multiple sclerosis was made in 1973.  She lived for another 14 years but never played again in public.

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