Nikolaus Harnoncourt has long been one of my favourite conductors, particularly for pieces that require a strong sense of period.  The same goes for the wonderful Zürich Opera House Orchestra who, uniquely as far as I know, can change up their instruments to suit the piece.  For Weber’s Der Freischütz, recorded in 1999, they use valveless brass but, as best I can tell, modern woodwinds and it all sounds great especially in the many hunting scenes.

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