Karel Szymanowski’s 1924 opera Król Roger is surely the only opera in Polish in anything like the standard rep. Maybe that’s one reason it’s not performed all that often because it’s really rather good and Kasper Holten’s 2015 production at Covent Garden makes a pretty good case for it. The story is set in 12th century Sicily, though as we shall see , that really doesn’t matter. The Church is complaining to the king about a heretical prophet, the Shepherd, who is leading people astray with a strange doctrine of Love and Nature. Roger’s queen is much taken with the Shepherd and helps protect him. The king, who is clearly battling demons rooted in a bloody past, vacillates. Eventually he’s persuaded and the opera closes with Roger singing an ecstatic hymn to the rising sun.
Just been checking out the Glyndebourne 2017 season announcement. Not that I’ll be going or anything but one production did catch my eye. There’s a new Hamlet opera from Brett Dean and Matthew Jocelyn to be directed by Neil Armfield and conducted by Vladimir Jurowski which sounds promising enough but look at this cast: Allan Clayton (Hamlet), Sarah Connolly (Gertrude), Barbara Hannigan (Ophelia), Rod Gilfry (Claudius), Kim Begley (Polonius), John Tomlinson (Ghost of Old Hamlet). There had better be a DVD.
Oh yes and they’ve unearthed yet another previously (more or less) unheard of Cavalli.
For the longest time the classic 1995 Glyndebourne recording of Janáček’s Věk Makropulos was the only video option. It’s now been re-released on DVD and Blu-ray in a completely remastered version. I watched the Blu-ray and it’s as well restored as the companion recording of Peter Sellars’ equally classic Theodora. As it’s drawn from a Channel 4 broadcast the picture is 4:3 and it’s presented here formatted for wide screens in what is, apparently, called “pillarbox” mode in the UK. At any event, the picture is excellent; certainly the equal of many more recent recordings, if not quite of the best HD quality. The sound, stereo only, is decent but a bit “boxed in” and the voices often seem to balanced a long way back.