I use the word sumptuous in at least two senses. This is a really good recording with a fine period instrument ensemble and voices carefully matched to parts. It’s also very carefully researched in the quest to get as close as what Monteverdi’s audience heard as possible. It’s also sumptuous in presentation. It’s a beautiful hardback book with 3 CD slots built in. The binding and printing are Folio Society quality. It’s sumptuous also in terms of book content. The English language version has 165 pages of explanatory essays plus libretto and translation! There is a wealth of information on what was happening in Venetian theatre , as well as influences from further afield. There’s a section on how discoveries in the sciences were reshaping perspectives on art and aesrthetics and there’s a load of detail on the links between the commedia dell’arte and the opera stage. For a music loving bibliophile it’s a real treat.
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La Dori
Pietro Antonio Cesti’s 1657 dramma musicale La Dori is a hoot. It seems to prefigure every plot device that will ever be used in opera. A baby sold by bandits who turns out to be a princess. Pirates. A ghost. Mistaken identities. Swapped potions. Men pretending to be women. Women pretending to be men. Love polygons of fiendish complexity. I won’t even attempt to explain the plot because it’s very complex and silly and hardly matters. It took me a half page diagram just to map the relationships between the characters.

Cavalli’s Elena
Cavalli is a rather neglected composer. Something like thirty of his operas exist but few are ever performed and only one, La Calisto, appears at all frequently. It’s hard to see why. He was Monteverdi’s pupil and a worthy successor whose work was decidedly popular in his lifetime. It’s even harder to see why a work like Elena could have been ignored for 350 years before being revived at the Aix en Provence Festival in 2013. It’s really got the same things going for it as Il coronazione di Poppea. There’s sex, homoeroticism, mythology, cross dressing, a weird (Shakespearean?) mix of the serious and the comic and some really lovely music. The only downside I can see is a rather convoluted plot and the fact that one of the leading roles was written for a high castrato.
