Exceptional musicianship from Moser and Rzazade

Winners of the Eckhardt Grammatée competition, soprano Aemilia Moser and pianist Sabina Rzazade, gave a recital in Walter Hall on Tuesday at lunchtime. It was unusual! The material was all contemporary, much of it Canadian, and almost all of great difficulty. It was also divided into sets with the components of each set run without a break. Fortunately Aemilia’s program notes were excellent!

The first set started with Harry Somers’ Loon Cry, Night Call which evokes loon calling across a lake and was followed by Kaija Saariaho’s difficult and dramatic setting of one of Ariel’s speeches from The Tempest. Cecilia Livingston’s setting of Whitman’s The Dismantled Ship completed the watery theme with a piece that combined a sustained vocal line with some very sparse but intricate piano. What was obvious by the end of the first set was that this was going to be as much a dramatic performance as an art song recital.

Continue reading →

Broken from the Happenstancers

The Happenstancers latest gig; Broken, played on Friday evening at Redeemer Lutheran. Getting back to their core mission, this concert explored the relationships between baroque music and contemporary repertoire and the plusses and minusses of combining music, instruments and techniques from both.  So, interspersed between sonatas by Johann Rosenmüller; originally scored for strings and continuo but played here by various combinations of oboe/cor anglais, regular and bass clarinet, strings and accordion, we got contemporary pieces.

Continue reading →