Kanika Ambrose’s The Christmas Market opened on Wednesday in the Studio at Crow’s Theatre in a production directed by Philip Akin. At one level it’s a much needed critique/exposé of Canada’s Temporary Foreign Worker Program and at another it’s basically a very funny comedy of manners. The two are extremely well integrated so that the horror of the TFWP is a bit of a slow reveal.
It’s the rub that makes the difference, not the sauce. Or so we are told by Fancy’s stepfather and uncle who now runs the family BBQ restaurant somewhere far south of Elsinore in James ljames’ Fat Ham which opened on Wednesday at Canadian Stage, Berkeley Street. Director Philip Akin describes it as an “overlay” on a well known play by Shakespeare and that’s probably as good a way of looking at it as any.
Will Arbery’s Heroes of the Fourth Turning opened last night in a production by the Howland Company in the Studio Theatre at Crow’s. This is a play about a group of people who have assembled in the wilds of Wyoming for the inauguration of a new President at a small, extremely conservative, Catholic university. All of them, to greater or lesser extent, buy into the mix of ideas; an essentially pre-Vatican II Catholicism, traditional American Conservatism rooted in an idea of “Western Civilization:” and a kind of neo-Spartan survivalism, taught at the university in question. The play is a long (over two hours without a break) conversation between these characters about ideas and values. I strongly suspect these ideas and values are not shared by the author or the director (Philip Akin). but they are treated in the play on their own terms with no attempt at satire or parody. I don’t share those values either but I shall try in this review to keep my own feelings out of it as well.
operaramblings 