Rose in Bloom

roses in bloomRose in Bloom is a new recital CD from coloratura soprano Erin Morley accompanied by Gerald Martin Moor.  It’s a bit of a mixed bag.  There’s some really nice singing and playing but some of the music choices leave me a bit cold.

Saint-Saëns “La libellule” is a good start.  It’s quite dramatic with opportunties for Morley to show off her considerable coloratura chops.  It’s followed by Rimsky-Korsakoff’s “The Rose Enslaves the Nightingale” which is quite exotic with oriental touches and allows Morley to display a more lyrical side.  Berg’s “Die Nachtigall” shows she can sing classic German Lieder with style and feeling and then there’s a bit of a chance to show off with Saint Saëns four minute long vocalise “Le Rossignol et la Rose”.

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La France au printemps

france 2Thursday’s concert by members of the Ensemble Studio in the RBA was an all French affair (at least as far as language went) and it was rather good.  Karoline Podolak iniated proceedings with Mattia Senesi at the piano with Kurt Weill’s “Youkali”.  Now I’ve heard this sung by everybody from Barbara Hannigan to Benjamin Appl and I’d have to see that Ms. Podolak is right up there.  There was no male stripper though.

Korin Thomas-Smith has something of a penchant for the bizarre and I think that’s a fair description of two sets drawn from Apollinaire’s Bestiaire.  There were five of the Poulenc settings (about as far from Dialogues of the Carmelites as one could imagine) and six from Rachel Laurin’s more atonal and abrasive settings.  I would probably sing these songs if I had four dromedaries and could sing.  Fine work from Brian Cho at the piano. Continue reading

Serious Cabaret

BRQ_CD_DPS1_8-1Serious Cabaret is an album by singer Mary Carewe and pianist Philip Mayers who is also responsible for the arrangements.  It’s an eclectic mix of cabaret material from the 1920s to the 1970s.  There’s classic material from the Weimar Republic, including songs by Hollaender (“Oh just suppose”) and Spoliansky (“Maskulinum/Femininum”, “It’s All a Swindle”) and one I hadn’t heard before; Zemlinsky’s “Herr Bombardil” about a man who eats until he explodes. Continue reading

Maskarade

Nielsen’s Maskarade is a comic opera to a Danish libretto based on an 18th century play.  The version given in Frankfurt in 2021, and recorded for video, updates it to contemporary times and uses a rather racy German translation by Martin Berger.  It’s really rather fun!

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Excellent recording of Trouvère music

LoveToMyLikingylove to my liking is an album of 13th century Trouvère music from Brooklyn based ensemble Alkemie.  It’s in many ways similar in style to the music of the troubadors of what is niow Southern France but being from the North the texts are in medieval French rather than Occitan.  There’s a range of songs, dances and motets on the record including some in a form I hadn’t encountered before; where two, or even three, distinct texts are sung simultaneously by different singers. Continue reading

The Inheritance – part 2

So it was back to the Bluma Appel on Thursday evening to see part 2 of Matthew López’ The InheritancePart 1 had certainly left plenty of active plot lines to be resolved (or not) so it looked like being an interesting ride.

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The Inheritance – part 1

Matthew López’ The Inheritance is an epic adaptation of EM Forster’s Howard’s End.  It’s epic in scale and scope.  It runs for two evenings; each over three hours long and it features a rich, and sometimes bewildering, cast of characters.  I was going to wait until after part 2 before writing about it but I actually think it will work better to review it in two parts.  So here is part 1 as seen on opening night (Wednesday) at the Bluma Appel Theatre.

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All is Love preview

Tuesday’s lunchtime performance in the RBA was a preview of the upcoming Opera Atelier show All is Love which is essentially a remount of the February 2022 show that nobody much saw because it happened during a blizzard with most of downtown closed due to “trucker” activity.

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Ema Nikolovska comes home

Mezzo-soprano Ema Nikolovska made her Koerner Hall recital debut on Sunday afternoon just twenty-six years after first enrolling at the Royal Conservatory of Music.  It was clearly an emotional occasion for her and justified the barely choked back tears in her introduction.  The emotion though did not negatively affect her singing which was notable for, among other things, great control; emotionally and technically.

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Angel’s Bone

Angel’s Bone; music by Du Yun, libretto by Royce Vavrek, is an interesting concept.  It deals with human trafficking through the medium of two angels who fall to earth and find themselves in the hands of a couple; one of them a formerly trafficked person, who exploit them for sexual/commercial purposes.  It’s dramatically quite effective, well constructed and the libretto has a certain poetry to it.  It played at Harbourfront Theatre this last weekend in a co-pro by Sound the Alarm Music Theatre, Loose Tea Music Theatre and Array Music.

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