Chicago Symphony

As part of music director Riccardo Muti’s final tour with the orchestra, the Chicago Symphony is coming to Toronto in February for the first time since 1914.  It’s at Koerner too, so it’s a chance to see one of the world’s great orchestras in a really good acoustic.  The dates are February 1st and 2nd 2023 and the programmes are:

  • February 1st:  Beethoven Symphony No. 7 and Prokofiev Symphony No. 5
  • February 2nd: Beethoven Coriolan Overture and Symphony No. 8, Liadov The Enhanted Lake and Mussorgsky Pictures at an Exhibition.

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Photo credit: Todd Rosenberg Photography

The Shape of Home

The Shape of Home is a show about the life and works of Al Purdy currently being presented by the Festival Players in the Studio Theatre at the Streetcar Crowsnest. Actually I think it’s about a lot more than Al Purdy.  It does tell his story and use his poems as song material but in the creative process something a bit magical happened. It was created during lockdown using Zoom with the creator/participants messaging back and forth with ideas, snippets of songs and (mostly dark) thoughts.  The creative process must have been gruelling and at times disheartening but the final result is a show of high energy, and humour.  But above all it’s life and art affirming.  Performed in the tiny Studio Theatre it’s also very intimate.  For the first time since the theatres reopened I felt I had got my old life back.

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A Cup of Sins

Parisa Sabet — A Cup Of Sins (cover)A Cup of Sins is a new CD release of works by Iranian-Canadian composer Parisa Sabet.  If there’s a unifying theme it’s religious/cultural persecution in Iran and there’s a strong Bahai influence.  The six pieces are scored for various combinations of voice, piano and small ensemble and add up to about an hour of very rewarding music.

The first piece, Shurangiz, is a riff on music for the tar (a kind of Iranian lute) and it’s scored for flute, clarinet, piano, violin and cello.  It’s an interesting combination of traditional Iranian influences with a nod to Western minimalism.  It’s quite meditative in mood. Continue reading

Singulières

Singulières, written by Maxime Beauregard-Martin, is a French language (more or less) coproduction of Le collectif Nous sommes ici, le Théâtre Catapulte and La Bordée.  It'[s currently being presented jointly by Crow’s Theatre and Théâtre français de Toronto at the Streetcar Crowsnest.  It tells the stories of various Québecoises who are stlll single at a certain age.  Women who would once, especially in Quebec, have been referred to as “old maids”.

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Lesson in Forgetting

Emma Haché’s Lesson in Forgetting (translated by Taliesin  McEnaney and John Van Burek) is an exploration of memory, amnesia and love.  It;’s currently playing in a production by Pleiades Theatre directed by Ash Knight at the Young Centre.  The basic premise is that HE (Andrew Moodie) has suffered head injuries that mean the only thing he can remember is how much he loves SHE (Ma-Ann Dionisio).  She visits him every day to work on his memory issues but it’s obviously hopeless and eventually, wanting to be free to continue her own life, she tries to leave him but can’t.

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There comes a time

Flag_of_Ukraine.svgThis is not intended as a a political blog though, art being what it is, it sometimes is. That said, these are not normal times and sometimes a political stand has to be taken. We stand in solidarity with the people of Ukraine and condemn in the strongest terms the current aggression by the fascist regimes in Moscow and Minsk as well as their enablers and supporters in the United States and elsewhere.

Dieses Küß der ganzen Welt!

CDIt’s July 29th 1951; the opening night of the first Bayreuth Festival since the end of the war.  Noted anti-Nazi Wilhelm Furtwängler will conduct the Festival Orchestra in Beethoven’s Ninth Symphony from the Festspielhaus.  It will be broadcast live by Süddeutsche Rundfunk(*) and will be relayed by stations in Germany, Austria, France and Sweden.  You are sitting in front of your valve radio because commercial transistor models are not yet on the market.  You can’t record it to listen to later because tape reorders are almost as rare in 1951 as transistor radios.

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It’s beginning to look a lot like March 2020

closedSo, it’s cancellation time again.  Everything is off as far as “live” is concerned until at least January 26th in Ontario.  That means that a whole raft of concerts at the RCM are postponed/off including Gould’s Wall and Gerry Finley.  Morgan Paige-Melbourne and Eve Egoyan are going ahead as livestreams.  Check the RCM website for details.  The COC has suspended single ticket sales for Madama Butterfly until things become clearer.  Meanwhile the rest of the world, mostly, is getting on with it.  I’m told it’s called the 0 micron variant because that’s roughly the diameter of Doug Ford’s brain.