On Monday I attended an event at Hope United Church billed as “Toronto Vocal Showcase”. It was, in a way, an extended audition. Sixteen singers sang for representatives of a number of (mostly) Ontario based music producing organisations together with a small contingent from the media. The affair was organised by Ryan Hofman and designed to give (mostly) unrepresented singers a chance to display their talents to the invitees.
The new season starts to ramp up in September. My month will start at Factory Theatre on the 7th with Mary Beath Badian’s The Waltz; a coming of age drama set in Saskatchewan. That runs until the 17th. The following night there’s a screening at the Four Seasons Centre of Atom Egoyan’s new film Seven Veils that was created in conjunction with last season’s production of Salome. A young woman is tasked with remounting her former mentor’s production of Salome. It stars Amanda Seyfried, Ambur Braid, Michael Schade and Michael Kupfer-Radecky. It’s a chance to see the film ahead of the official premier at TIFF. More details and tickets here.
August is looking less dead than it did a few days ago. Here’s a selection of what’s on. There’s a site specific production of Tennessee William’s Suddenly Last Summer at Sorry Studios. That’s presented by Riot King and runs August 9th to 13th. Hyejin Kwon has a DMA recital at Walter Hall on the 5th at 7.30pm with some interesting singers presenting various songs to texts by Goethe in a staged performance directed by Anna Theodosakis. (Free).
VOICEBOX:Opera in Concert announced their 2023/24 season. It’s quite interesting; three Verdi rarities:
And for something completely different, Alice Ho’s The Phantom Bird of Han, performed by Symphony Nova Scotia, is now available on Youtube. Definitely worth a listen!
Soundstreams has announced the line up for the 2023/24 season. First up, and very exciting, is The Bright Divide, which will play Nov 10th and 11th at the TD Music Hall (the new performance space at Massey Hall). It’s a staged show, directed by Tim Albery and featuring two works inspired by the work of Mark Rothko. There’s Morton Feldman’s Rothko Chapel for viola, timpani and choir and a new work by Cecilia Livingston; mark for viola and voice.
Electric Messiah is back. This time it’s at Theatre Passe Muraille from December 14th to 17th. Adam Scime is in charge again for the Messiah where you don’t know what to expect.
So what’s coming up in July? Let’s look first at a few late June shows I haven’t mentioned before.
Looking for some thing suitable to do on National Indigenous Peoples Day (June 21st) that has a classical music twist? Soprano Deantha Edmunds is performing in the Music Garden at Harbourfront at 7pm. I spoke to Deantha at her home in Newfoundland yesterday to find out what we might expect.
Opera Atelier have announced a two show Toronto season for 2023/24. The fall show is Gluck’s Orphée et Eurydice which will play at the Elgin Theatre from October 26th to November 1st. This is the 1774 version with Orphée sung by an haut-contre. Colin Ainsworth should be just about ideal. He’s partnered by Mireille Asselin, also pretty much ideal as Eurydice. Anna Julia David sings Amour. The orchestra is Tafelmusik and the chorus will consist of Tafelmusik Chamber Choir and the Nathaniel Dett Chorale.
June is fast approaching and, as ever, it’s one of the odder months in the performance calendar. Here’s what has caught my eye (so far).
More May listings…
operaramblings 