Pretty much unremarked in the general houha of the COC’s season announcement is a rather interesting change in pricing strategy. Clearly something had to be done as the switch to a six performance season has consequences. The COC appears to have something over 7000 season subscribers and a further, say, 3500 select subscribers who buy tickets for five performances. The five performance package isn’t offered for 2014/15 so let’s assume that group split 50/50 into six and four package buyers for no net effect on ticket sales. The switch then means a loss of 7000+ ticket sales. The number of performances has only been reduced by 1 so that means the company has 5000 or so more tickets to sell to single ticket buyers or net new subscribers than last year. That is, of course, on top of last year’s unsold capacity of around 12,000 seats. For reference last year’s single seat sales were just shy of 40,000. So, unless subscription sales rise, single ticket sales per show have to rise from 6,500 to 7,500 (more or less) just to stand still. That’s actually a pretty tough ask.
Category Archives: Toronto opera news and views
Young artists
The Canadian Opera Company has announced the addition of three singers and a pianist to the Ensemble Studio for next season. The singers, unsurprisingly, are the three prize winners from November’s Centre Stage; Soprano Karine Boucher, tenor Jean-Philippe Fortier-Lazure and bass-baritone Iain MacNeil, The pianist is Jennifer Szeto. The COC also announced the setting up of an orchestral equivalent of the Ensemble Studio in which a number of young musicians will work with Johannes Debus and the COC Orchestra. Names were announced on Wedneday night but I can’t find them in any of the press releases. Continue reading
The COC’s 2014/15 season announced
Yesterday evening saw the announcement of the line up for the COC’s 2014/15 season. The usual rather prosaic press conference was replaced with a glitzy reception and main stage show featuring Brent Bambury of the COC interviewing Alexander Neef, Johannes Debus and others plus piano accompanied performances by Simone Osborne, Russel Braun, Robert Gleadow, Charlotte Burrage and Aviva Fortunata.
There were few surprises, in itself no surprise given the number of official and unofficial “leaks” this time around. There are three productions new to Toronto, all COC copros, and three revivals so it’s an “all COC” season with no rentals or other imports. Here’s what’s coming up:
The COC’s 2014/15 season
Rare Rameau
On February 2nd Voicebox: Opera in Concert will be performing Rameau’s rarely performed Hippolyte et Aricie at the St. Lawrence Centre for the Arts. The cast will be led by mezzo Alyson McHardy as Phèdre with tenor Colin Ainsworth as Hippolyte, soprano Meredith Hall as Aricie and veteran bass Alain Coulombe as Thesée. Accompaniment will be by the Aradia Ensemble conducted by Kevin Mallon. Tickets are available from www.stlc.com
It seems like some of the most interesting repertoire choices this year are being presented in concert rather than fully staged. At least this one has more than piano accompaniment.
Upcoming shows
First up is Toronto Operetta Theatre’s annual holiday offering. This year it’s Lehar’s Land of Smiles and the cast includes Adam Fischer, Curtis Sullivan, Ernesto Ramirez and Lara Ciekiewicz. Guillermo Silva-Marin directs and Derek Bate conducts. There are eight performances between December 27th and January 5th including a gala performance and dinner/dance on New Year’s Eve. Venue is the St. Lawrence Centre for the Arts and tickets are available here.
Just a reminder Toronto
Have you got your tickets? You really should.
Saturday 14th and Sunday 15th at the Opera House on Queen East it’s the Against the Grain Messiah.
Prima Donna
So I got my hands on the DVD documentary about Rufus Wainwright and the genesis of Prima Donna. There’s not all that much of the music on the disk but there’s enough to get a general impression. There’s also plenty of material for helping one judge where Wainwright is coming from and how he might approach a second opera.
Alexander’s big gay Canadian opera
So today’s Globe and Mail carries the news that the Canadian Opera Company has commissioned its first new work since 1999. A piece based on the life of the emperor Hadrian will headline the company’s 2018 season. Now Hadrian may be best known for a chunk of masonry in the north of England but he’s also almost as well known for deifying his lover Antinous. Since the music and book for the new work are to be by Rufus Wainwright and Daniel McIvor I think we can safely say that that side of things will feature more prominently than fortification construction. Continue reading
Ensemble Studio candidates announced
The competitors for the Ensemble Studio competition to be held on November 26th have been announced. They are: soprano Karine Boucher (Quebec City, QC); mezzo-soprano Emma Char (Kitchener, Ont.); mezzo-soprano Francesca Corrado (Vancouver, B.C.); tenor Jean-Philippe Fortier-Lazure (Kitchener, Ont.); bass-baritone Nathan Keoughan (Charlottetown, P.E.I.); bass-baritone Iain MacNeil (Brockville, Ont.); tenor Jean-Michel Richer (Montreal, QC); soprano Lara Secord-Haid (Winnipeg, Man.); and mezzo-soprano Rachel Wood (London, Ont.).
As previously announced this year’s competition will be a glitzy gala affair and apparently Rufus Wainwright will MC.


