Roiyce Vavrek. Photo by Ser Amantio di Nicolao
Today’s big news is that Against the Grain Theatre have announced the appointment of a new Artistic Director and it’s Royce Vavrek. He’s probably best known to opera audiences as a librettist. He has written the libretti for 23 operas including a bunch with Missy Mazzoli of which perhaps my favourite is Proving Up, done in Calgary recently by Ammolite Opera. He’s also the writer for Ian Cusson’s Indians on Vacation and Luna Pearl Woolf’s Jacqueline which features in Tapestry’s recently announced season and is just out on CD. So not dead yet then!
And talking of Tapestry, they announced their season today. With the new space at 877 Yonge almost ready they have emerged from semi-hibernation. As implied above the first show is Luna pearl Woolf’s Jacqueline in The Betty Oliphant Theatre in February . I’m assuming it’s essentially the same show as five years ago (see Opera Canada Summer 2020). There’s also a venue launch concert for the new home on March 22nd. The first Tapestry show at the new venue will be Sanctuary Song; music by Abigail Richardson, libretto by Marjorie Chan, which, apparently, is about an elephant. Which may be an operatic first. Continue reading
Opera’s back with the start of a new COC season and more. Here’s a look at what I think looks interesting in October.
Edmonton Opera today announced that Robin Whiffen, Executive Director of Against the Grain (though on mat leave for a while now) is joining as their new Executive Director; teaming up again wiith Joel Ivany, Artistic Director, in Edmonton.
Well late August has been a bit thin in terms of live performances but September. sees things back with a bang.
It’s still mostly festival season with two events coming up in Toronto.
When I look at my calendar for July it’s all about two festivals, both of which include far more events than I could possibly cope with.
Here’s an events listing for June as it currently stands:
It’s coming towards the end of the traditional “season” but there’s sill plenty happening. Here’s how I see may shaping up at present (I expect more theatre listings will come in. They tend to be somewhat less notice!):
The Toronto Symphony’s 2024/25 season is the usual mix of mainstream symphony/concerto rep, Pops, film music, kids’ concerts etc. My sense is that it has got more “popular” since the pandemic and that therefore there’s been less that’s caught my eye. That’s my story anyway!
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