It’s about the time of year when one starts to think about what might be in the next season at the COC. The last couple of years the announcement has just been an email drop and there’s really no way of telling when it will happen. In about a month’s time is likely so if I’m going to make some predictions now is a pretty good time.
Once upon a time there were some pretty good indicators of what the next COC season might look like. Rumours aside, one could look at:
- Co-productions with other companies and expect that they would come around sooner or later
- Ditto commissions of new work
- A certain regularity in the recurrence of “popular” works. Madama Butterfly every five years for example.
The trouble is none of this seems to be relevant anymore. Co-pros and commissions disappear without trace and the regularity patterns seem no longer to apply. The only real certainty is that three or four shows will be revivals. All of which makes trying to make predictions a bit daft… which makes me ideally suited to do it. So here goes… Continue reading
So the COC is set to release details of the 2024/25 season some time in late February so in the interests of tradition I’ll have a go at guessing what we will hear. I have to admit that i have very little confidence in my predictions as the combination of COVID and new management has disrupted old patterns and new ones are not yet very apparent. Even the sacrificial goat liver (see left) isn’t helping much. There have been two complete seasons since COVID. One featured five revivals and the other five “new to Toronto” productions sourced from other houses. COC commissions, new productions or co-pros were noticeably absent. It’s probably also fair to say that there was a distinctly conservative vibe to the productions. I’m not saying horned helmets and crinolines but it’s noticeable that the revivals haven’t included any of the COC’s edgier efforts.
So Arts Anyway brought us dinosaurs (and where are you guys… we worry you know…). Now it’s back to the stone age with 
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I swear this image is the most random opera related thing that has dropped into my lap in an age.
Saw Opera Revue.
It’s that time when I go through the ultimately pointless exercise of trying to predict what the COC season for 2019/20 will be. In some ways it’s an interesting intellectual enterprise not unlike what an Intelligence Officer would do. What do past patterns reveal? What can we glean from published sources? What have prisoners told us? (No I don’t really interrogate captured opera singers tempting as it might be).
operaramblings 