The conclusion of the aria prelims

Last night the final eight aria contestants performed.  Canadian mezzo Marie-Andrée Mathieu was up first.  Meyerbeer’s Nobles seigneurs, salut! showed genuine mezzo colours, good control and some dramatic flair.  Parto! Parto! was pleasant but not as dramatic as one might expect.  Certainly the range of emotion on display was markedly less than Emily D’Angelo the day before.  Amour, viens rendre mon âme from Gluck’s Orphée showed she could handle long runs.  So it was a solid performance but maybe not at the level needed against this field.

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The aria competition heats up

So I guess I wasn’t that impressed with the first session in the aria competition; too much loud, technically correct, but dull singing.  Things were much better in the evening though.  First up was Russian mezzo Alexandra Yangel.  She was very personable and fun to watch but a bit wayward vocally.  Nobles seigneurs, Salut! from Les Huguenots was dramatic and lyrical in places but her upper register gets quite squally.  This was even more noticeable in the aria from La Cenerentola that followed.  I liked the passion and the vocal acting ability in her Smanie, implacabili though.

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On to the arias

And so to the aria competition.  Twenty four singers in three sessions are competing for twelve places in the semifinals.  It’s piano for the first round but after that it’s the Maison Symphonique and the OSM.  As with the art song competition I’ve tried to keep my session reports free of hindsight.  This one was written between the afternoon and evening sessions last night.  It will be followed by a report on yesterday evening and tomorrow should see the post on the third session and the judges decisions.

First up in afternoon was Canadian mezzo Carolyn Sproule.  She kicked off with Strauss’ Wie du warst!, followed it up with Printemps qui commence from Samson et Delila and finished up with Ah! Quando all’ara scorgemi from Maria Stuarda.  It was all pretty good.  She’s a genuine mezzo with power enough and she got more dramatic as the set went on.  I thought it was maybe a little under-characterised but compared to much of what came later it was positively thespian.

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Judges and other creatures

The judges make their decisions by voting without discussion so there is no rationale given for the results.  Anyway while they were doing that I tried to guess what might result.  I divided the field into three lists; Probables, Maybes and Probably Not.  Here’s my list:

Probables: Brancy, Chaieb, Krisna, Sharvit, Taffot and You.

Maybes: Neher, Osowski, Park, Summerfield.

Probably Nots: Fanyo, Fischer, Punkeri, Simard-Galdès, Tayloe.

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Not a Gretchen in sight

So back to the Salle Bourgie for the second and final batch of art song contestants.  First up was mezzo Hagar Sharvit.  I liked her.  It’s a genuine mezzo voice and if her Fauré and Schubert offerings were a bit “flow of beautiful tone” they displayed plenty of power and a nice ability to spin a line.  Her version of Britten’s O Waly, Waly was rather good ; more dramatic and with perfect diction.  A strong start.

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The All Gretchen Show

Yesterday afternoon and evening we heard all sixteen contestants in the preliminary round of the art song competition and the eight semifinalists were announced.  To try and keep things interesting I’m going to do three posts; one on the afternoon, one on the evening and one on the judging and other general observations.  The first was written between the afternoon and evening sessions yesterday and I haven’t updated it with later information.  The second will be based on my notes and I’ll try to ignore who the fact that at time of writing I know the results.  So here’s the first post about yesterday afternoon…

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This is not Ed Morrow reporting

So I’m in Montreal for the Concours musical international de Montréal – Chant.  Today was very much about preliminaries.  There was a press event where we were introduced to the judging panel and a short performance by the contestants.  There was also the chance to catch up with old friends over lunch.  The real business starts with the preliminary rounds of the art song competition tomorrow afternoon and evening.

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The contestants rehearsing this morning

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