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About operaramblings

Toronto based lover of opera, art song, related music and all forms of theatre.

If you see my ass, grab it

monks1Monks is a two woman clown show.  It’s that one day, every five years, when the abbot isn’t around and the brothers can take a day off from praying and counting lentils.  Unfortunately they have lost their donkey which is a perfect excuse for every possible permutation of ass jokes.

It’s hugely physical and highly interactive with water sprayers, lentils (yes more lentils), musical instruments and pin-the-tail-on-the-donkey, not to mention writhing on the floor and hiding in lentil barrels.  If you don’t want to engage in the antics sit right at the back and, above all, do not come late.  The full wrath of the Catholic Church awaits the Satanic evil of the tardy. Continue reading

Koli Kari

Koli Kari by Ganesh Thava opened at the fringe on Saturday evening.  It’s presented by Pink Banana Theatre and directed by Sungwon Cho.  It’s built around Ravi’s (Thava) attempt to use his mother’s secret Koli Kari (chicken curry) recipe to revitalise his flagging TV cooking show.  The broadcast is invaded by figures from Ravi’s past; girlfriends (more or less), his present (his mother) and a mysterious magical chicken.  At times it’s quite weird and disturbing but too much of the time it turns on the obvious cringeworthy humour in the interaction between a young gay Indian man (from Scarborough natch) and his immigrant mother who is disappointed he hasn’t become a lawyer or a doctor, married a nice Indian girl and produced grandchildren.

kolikari

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Don’t drink the embalming fluid

I saw Stiff and Sons by Aidan Gouveia for Bare Theatre Collective directed by Daniel Reale at the Al Green Theatre on Saturday evening.  I haven’t laughed so much for all the wrong reasons since I saw Death of Stalin.  The background is a failing family owned funeral parlour.  Darren Stiff is having an affair with his brother David’s wife Pam; an aspiring Hollywood actress.  There is much shagging; mostly in coffins.

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You, Hamlet

I started my exploration of the Fringe on Thursday night at East End United Church with You, Hamlet from DopoLavoro Teatrale directed by Daniele Bartolini.  It’s an interactive show in which the three performers take the “Hamlets” (i.e. us, about 20 people) around different spaces in the church in each of which a “scene” takes place.  It gets steadily more interactive as time goes by.

you hamlet

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De-exoticising Aida

Robert Carsen’s production of Verdi’s Aida seen at Covent Garden in 2022 is a very good example of what Carsen can do.  In this case it’s to strip out elements he considers non-essential and focus on the essentials of the drama.  In the rather good “extra” feature on the video recording Carsen summarises it as focussing “on the story not the place”.

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Wot, no cakes?

I understand that the mission of outfits like the Teatro Donizetti is to “rescue” forgotten operas but, frankly, some of them ought to remain forgotten.  I would put Donizetti’s Alfredo il Grande in that category.  It premiered in Naples on 2nd July 1823 and closed after one disastrous performance not to be seen again until a run in Bergamo in November 2023 which was recorded for video.

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Festival season

july2024When I look at my calendar for July it’s all about two festivals, both of which include far more events than I could possibly cope with.

The first is the Toronto Fringe which runs July 2nd to 14th and features 77 shows in 16 venues.  There really is something for everyone from clowns and comics to mass murderers and funeral directors.  There’s even a musical.  Most shows are $18 but that drops to $14 if one buys a ten ticket pass.  I think I’ll be able to get to maybe half a dozen shows given an overlap with… Continue reading

A Streetcar Named Desire

Soulpepper opened a run of a revival of their 2019 production of Tennessee William’s A Street Car Named Desire at the Young Centre on Tuesday evening.  It’s a terrific production and performance but, as usually happens to me with Mr. Williams’ plays, I found myself admiring it more than enjoying it.  Showcasing dishonest, violent people living lives of noisy despair without any form of redemption, however brilliantly portrayed, leaves me wondering what the point of it all is.

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A tribute to Portia White

I attended the third and final performance of Aportia Chryptych: A Black Opera for Portia White by HAUI x Sean Hayes at the Canadian Opera Company Theatre on Sunday afternoon. It’s a very ambitious piece which has some really excellent ideas and scenes but perhaps bites off a bit more than it can chew.

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Sweat: The movie

Back in 2017 Bicycle Opera Project toured the a cappella opera Sweat by Anna Chatterton and Juliet Palmer.  I caught it in Hamilton and Toronto.  In the intervening years it’s been turned into a film that premiered at the Revue Cinema on Roncesvalles on Saturday night.

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